An Excerpt From Thunder Over the Prairie

FOREWORD

Dodge City, Kansas, founded in 1872 when the Atchison, Topeka and Santa Fe Railroad reached a point located five miles west of Fort Dodge, was a wide open, raucous, frontier town that catered first to the Buffalo hunters from 1872 through 1875. Following the demise of the Buffalo trade, the City Fathers went South to entice the Texas ranchers to bring their longhorn cattle to Dodge City where they would receive top prices for their beef. It was during this period, from 1875 until 1885, that Dodge City enjoyed the dubious distinction as the “Queen of the Cowtowns.”

During this reign, Dodge City, also known as the “wickedest little city in America,” was the scene of many famous and some infamous incidents, that would forever pique the interest of writers and create lasting legends of some of the real people who resided here. The year 1878 provided all of the right stuff that would put Dodge City on the map as a wild and wooly cowtown and helped establish its permanent place in the annals of those bygone days.

It was during that year, four young and fearless men in their 20’s and early 30’s, Wyatt Earp, Bat Masterson, Bill Tilghman and Charlie Basset among others, were hired to uphold the law; James “Dog” Kelley was elected Mayor; Marshal Ed Masterson, Bat’s Brother, was shot and killed in the line of duty by an unruly cowboy; J. H. “Doc” Holiday, dentist, office in room 24 of the Dodge House, offered his services with “money refunded if not satisfied, ” his ad promised; Assistant U. S. Deputy Marshal Henry T. McCarty was shot and killed in the Long Branch Saloon; Dull Knife and his band of 340 Cheyenne jumped the reservation at Fort Reno and fled north through western Kansas to their North Dakota homeland; Colonel William H. Lewis, commander at Fort Dodge, was killed in a battle while pursuing the Cheyenne in northwestern Kansas; and a beautiful singer/entertainer, Dora Hand was foully murdered by a young cattle baron who was smitten by her charms.

This book, Thunder Over the Plains, by Howard Kazanjian and Chris Enss, is a masterful job relating the murder of Dora Hand and the subsequent action taken by these four young lawmen to pursue and capture her killer. The authors have done an excellent job in presenting these men as real people who were very good at doing their job not just the mythical icons of the “Old West” that they would later become.

A local historian, Fredric R. Young, in his book, Dodge City Up Through A Century in Story and Pictures, states, “ Much nonsense has been written about Dodge City’s Queen of the Fairy Belles, Dora Hand, but her romantic and novel history is yet to be fully unraveled.”

It is my humble opinion that one hundred and forty years after her death, this gripping and suspenseful book is a beautiful unraveling of her romantic and novel history.

Jim Sherer, Director (Retired)

Kansas Heritage Center & Former Mayor of Dodge City, Kansas

An Excerpt From Frontier Teachers

Bethenia Owens-Adair

The Student Teacher

“Nothing was permitted to come between me and this, (getting an education) the greatest opportunity of my life.”

Bethenia Owens-Adair – 1906

Tears streamed down twelve year old Bethenia Owens face as she watched her teacher pack his belongings into a faded, leather saddlebag and slip his coat on over his shoulder. She was heartbroken that the gracious man who introduced her to the alphabet and arithmetic would be leaving to teach school at a far off location. Bethenia’s brothers and sisters gathered around him, hugging his legs, and hanging onto his hands. Mr. Beaufort had boarded with the Owens family during the three month summer school term in 1852 and everyone had grown quite attached to him, especially Bethenia.

Mr. Beaufort smiled sweetly at Bethenia as she wiped her face dry with the back of her dirty hand. Streaks of grim lined her thin features and continued on into her hair- line. Her long, brown locks protruded haphazardly out of the pigtails behind each ear. The dainty ribbons that once held her hair in place were untied and dangling down the back of her soiled, well-worn gingham dress.

The teacher stretched out his hand to Thomas Owens, Bethenia’s father, and then gave her mother, Sarah a squeeze around the neck. He thanked them for their hospitality and then turned his attention to their nine children. He snatched the youngest child off of the floor, tossed her up, and gave the giggling infant a kiss. Mr. Beaufort said goodbye to everyone, but left his farewell to Bethenia for the last. “I guess I’ll take this one with me,” he told her mother. “All right,” Sarah replied playfully. “She is such a tomboy I can never make a girl of her anyway.”

Bethenia blinked away more tears. Mr. Beaufort took her hand in his and led her out the door. The two walked down the dusty roadway to the gate and continued on for a bit without saying a word. Finally, Mr. Beaufort stopped and bent down next to the faithful student. “Now little one,” he kindly said, “you must go back. You are a nice little girl, and some day you will make a fine woman, but you must remember and study your book hard, and when you get to be a woman everybody will love you, and don’t forget your first teacher, will you?” Mr. Beaufort scooped Bethenia into his arms, kissed her cheek, sat her down in the direction of her home, and went on his way. Bethenia hurried back to the house where she found a quiet spot to cry over the loss of the teacher she so worshipped.

“Of course they all laughed at me,” she remembered in her journal years later, “and often times afterward when I was especially rebellious and wayward, which was not infrequently, I would be confronted with, “I wish the teacher had taken you with him,” to which I never failed to answer promptly and fervently, “I wish he had too!”

Bethenia Angelina Owens was born on February 7, 1840 in Van Buren County, Missouri. She was the second to the oldest child born to a cattle family that emigrated to Clatsop County, Oregon in 1843. She was an athletic child who roughhoused with her brothers constantly, challenging them to various feats of strength. She did chores around the homestead that were ordinarily reserved for members of the opposite sex and took great pride in the fact that her father referred to her at times as his “boy.”

Bethenia was a great help to her mother. Although she was rambunctious and could hold her own against the boys, she was more than capable of looking after her younger siblings while her mother and older sister, Diana helped work the ranch. According to Bethenia’s journal, the job kept her busy. She often had one of her brothers and sisters in her arms and more clinging to her. “Where there is a baby every two years,” she wrote, “there is always no end of nursing to be done; especially when mother’s time is occupied, as it was then, every minute,

from early morning till late at night, with much outdoor as well as indoor work. She (Bethenia’s mother) seldom found time to devote to the baby, except to give it the breast.”

By her own account, Bethenia’s childhood was mostly idyllic. When the weather was agreeable she spent most of her time outdoors entertaining the little ones she cared for and running and playing with her favorite brother, Flem. She was fond of hunting hen’s nests and gathering eggs laid in the most unusual places. She also enjoyed visiting with a neighbor lady who taught her how to cook and sew and told her fairytales during the lessons. Bethenia did not realize her education was lacking until her parents suggested that the Owens children attend school, but she was excited about the prospect.

Children over the age of four were the first to be enrolled at the school in Clatsop County. Older boys and girls, 14 or 15 years old, came to class once their chores were completed and took them up again once they were dismissed for the day. School books were in short supply and many of the pupils had to share the limited copies of the readers and spellers with one another. The Owens clan took turns studying from the solitary book they borrowed from a family in a neighboring county.

Mr. Beaufort proved to be an exceptional educator for the young in the small Oregon community. Bethenia was smitten with him from their first meeting. “The new teacher was a find, handsome young man,” she wrote in her memoirs, “who held himself aloof from the young people of his age, and kept his person so clean, neat and trim that the country men disliked him.” He interacted with his students, not only during class time, but a recess as well. He played games with the children and gave them the individual attention needed to learn the daily lessons in reading and writing. He had a particular fondness for Bethenia. Not only did he help her with her school work, but he taught her a great deal about horses. She loved to ride and Mr. Beaufort coached her on the best way to lasso a horse and spring onto its’ back.

The innocent infatuation Bethenia had for her teacher knew no bounds. Her older sister and mother would periodically admonish her for “always tagging him around.” Bethenia wrote that her mother would scold her saying “You ought to know that he must get tired of you and the children sometimes.” Nothing could persuade her from following after Mr. Beaufort every chance she got, however. She would walk two miles to school with him each morning and late in the afternoon she would haul her siblings to the spot where the teacher would be grading papers.

It took Bethenia a long time to recover after Mr. Beaufort left the Owens’ homestead. Several years would pass before she would be able to attend school again. But the fire for learning had been ignited and would ultimately be the key to Bethenia’s success.

Although she would have much preferred to marry a man like Mr. Beaufort, two years after meeting her beloved teacher Bethenia found herself betrothed to one of her father’s ranch hands. She was barely fourteen when she made the acquaintance of Legrand Hill. He had been living in the Rogue River Valley for a year working his parent’s land. He was a handsome man, broad-shouldered and tall. When she looked into her eyes, she saw the promise of a long and happy life. Her parents had selected this man to be her husband and she trusted their decision. On their recommendation she eagerly placed her future in Legrand’s hands.

On May 4, 1854, the petite teenager, dressed in a sky-blue wedding dress, stood next to her groom and promised to be a faithful wife. After the ceremony the pair retired to their home in the middle of 320 acres of farmland Legrand had purchased on credit. The newlyweds lived four miles from Bethenia’s parents and in the beginning, all was right with the world.

Family and friends visited often, helping Legrand work the property and assisting Bethenia as she made repairs to their small log cabin.

Legrand was an avid hunter, and in between planting and tending to the livestock, he spent days in the forest bagging grouse and deer. Before long, Legrand’s hunting trips became an obsession. More often than not, he put off doing chores to track wild game. He idled away so much time Bethenia’s father was forced to complete the job of putting up a good winter house to protect his daughter from the elements. A mere nine months after the wedding, Bethenia had fully recognized in Legrand a “lack of industry and perseverance.”

Legrand was opposed to doing an honest day’s work and because of that, he was unable to pay the $150 mortgage on the farm. The Hills were forced to sell the land and move to Jackson County, Oregon, to live with Legrand’s Aunt Kelly.

Less than a year after the Hills were married, Bethenia gave birth to a boy. The proud couple named the child George. Legrand’s slothful ways, however, did not change with the advent of fatherhood. He continued to fritter away his time, leaving the responsibility of earning an income to Bethenia.

Her parents paid the young mother a visit and were appalled by the “hand to mouth” living situation in which they found their daughter and grandchild. Thomas managed to persuade his son-in-law to return to Clatsop County. He lured the less than ambitious Legrand back with an offer to give him an acre of land and material to build a house.

Legrand’s attitude toward work remained the same in Clatsop County. Against the advice of his father-in-law, he agreed to partner in a brick-making business. He turned what little money he and Bethenia had over to his two partners and then spent all of his time overseeing the venture. He decided against building a home for his wife and child and chose instead to move his family into a tent. A sustained torrential downpour halted the making of the bricks and eventually put an end to the business altogether.

In late November, Bethenia contracted typhoid fever. She was much too sick to care for her baby or work to keep food on the Hill table. Her parents stepped in and moved Bethenia and George out of the damp tent and into their dry home.

Thomas pleaded with Legrand to start construction on a house for his family, but he refused to do so until the deed to the land was turned over to him. When Thomas refused to give in to his request, Legrand became furious and decided to build a house in town instead.

He proved to be a poor carpenter and after four months the home was still not complete. Wife and child were moved in anyway.

Bethenia continued to struggle with her health. The fever had left her weak and unable to do everything she once did. George was sickly too, but was nonetheless a big eater. Legrand had little or no patience with his three-year-old son’s ailments. He spanked him quite frequently for whimpering, and in many instances, was generally abusive toward the toddler. “Early one morning in March,” Bethenia recalled in 1906, “after a tempestuous scene of this sort, Mr. Hill threw the baby on the bed, and rushed downtown. As soon as he was out of sight, I put on my hat and shawl, and gathering a few necessaries together for the baby, I flew over to my father’s house.”

Sarah Owens applauded her daughter’s courage in leaving Legrand. “Any man that could not make a living with the good starts and help he has had, never will make one,” she told Bethenia. “And with his temper, he is liable to kill you at any time.” Bethenia remained at her parent’s home even though Legrand made numerous appeals to win her back. “I told him many times,” she later wrote in her journal, “that if we ever did separate, I would never go back and I never will.”

After four years of living in a difficult marriage, Bethenia filed for divorce. Many Clatsop County residents were shocked by her actions, and her sister advised Bethenia to “go back and beg him on your knees to received you.” The forlorn mother refused. “I was never born to be struck by moral man,” she insisted.

It was difficult at first, but Bethenia and George’s life away from Legrand and his tyrannical behavior proved to be best for mother and son. George thrived under his grandparent’s roof, basking in the constant attention he received from his many aunts and uncles. Bethenia used the time and the renewal of her health to attend school in the nearby town of Roseburg. She could barely read or write and believed the only way to improve her condition in life was to get a full education. At the age of 18 she enrolled in school and shared a third grade class with children who were ten and eleven years younger than her.

She eventually moved out of her parent’s home, and in addition to continuing on with school, focused on a way to support herself and her son. “I sought work in all honorable directions, even accepting washing,” Bethenia noted in her journal, “which was one of the most profitable occupations among the few considered “proper” for women in those days.”

Bethenia’s parents objected to her living on her own. They wanted their daughter to stay home and let them care for her and her baby, but she refused. She did accept the sewing machine her parent’s gave her and after teaching herself how to use it, added mending to her list of services for hire.

In the fall of 1860, Bethenia traveled to Oysterville, Washington to visit a friend and decided to stay in the area awhile and attend school. Well-meaning family members urged her to return to Oregon, but she wouldn’t agree to do so until after she completed the basic primary grades. “I now know that I can support and educate myself and my boy, and am resolved to do it,” she noted in her journal. “And furthermore, I do not intend to do it over a washtub either.”

Bethenia worked her way through primary school by doing laundry for ranch hands. Through books and diligent studying she overcame the hardships associated with a failed marriage and single parenthood. In 1874, she wrote, “Thus passed one of the pleasantest and most profitable winters of my life, while, whetted by what it fed on, my desire for knowledge grew stronger.”

An urgent plea from her sister ultimately persuaded her to leave Oysterville and move back to Clatsop County. Bethenia agreed to help her ailing sister in exchange for the chance to attend and teach school in Astoria.

“Don’t you think I could teach a little summer school here on the plains?” she asked Diana. “I can rise at four, and help with the milking, and get all the other work done by 8 a.m., and I can do washing mornings and evenings, and on Saturdays.” Diana encouraged her to try and Bethenia quickly hopped on her horse and made the rounds to the various neighbor’s homes looking for students.

According to Bethenia’s recollections, “I succeeded in getting the promise of sixteen pupils for which I was to receive $2 for three months. This was my first attempt to instruct others. I taught my school in the old Presbyterian church – the first Presbyterian church building ever erected in Oregon. Of my sixteen pupils, there were three who were more advanced than myself, but I took their books home with me nights, and, with the help of my brother-in-law, I managed to prepare the lessons beforehand, and they never suspected my incompetence. From this school I received my first little fortune of $25; and I added to this by picking wild black berries at odd times, which found a ready sale at fifty cents a gallon.” By 1861, Bethenia had earned enough money to purchase her own plot of land in Astoria and build a house.

No amount of hard work could deter Bethenia from achieving her goal of getting an education. She passed from one class to another, moving on to more advanced courses along the way. She admitted that she made it through not because she was the most cleaver, but because she was determined and perseverant. “At 4 a.m. my lamp was always burning,” she wrote in her memoirs, “and I was poring over my books – never allowing myself more than eight hours sleep.”

Bethenia’s thirst for knowledge did not subside after she graduated from high school. The fondness she had as a youngster for nursing and caring for sick friends and family, sparked a desire to study medicine. Her superior talent in hat design and dressmaking helped her to raise the necessary funds to attend medical school. She became truly committed to the calling after witnessing an elderly doctor’s inability to care properly for a small child. “The old physician in my presence,” she wrote years later, “attempted to use an instrument for the relief of the little sufferer, and, in his long, bungling, and unsuccessful attempt he severely lacerated the tender flesh of the poor little girl. At last, he laid down the instrument, to wipe his glasses. I picked it up saying, “Let me try, Doctor,” and passed it instantly, with perfect ease, bringing immediate relief to the tortured child.”

That momentous event set in motion the course of Bethenia’s new profession.

Words of encouragement for Bethenia’s new aim were few and far between, however. In fact, once she made her career plans known, only two people supported her. One was a trusted physician, who loaned her his medical books; the other was a judge, who applauded her ambition and assured her that she “would win.” Most of Bethenia’s family and friends were opposed to her becoming a doctor. They sneered and laughed and told her it was a disgrace for a woman to enter into such work. Bethenia disregarded their warnings and criticism, and pressed on toward her objective.

Bethenia began her studies at the Philadelphia Eclectic School of Medicine in 1870. Students at the college learned ways to treat the sick using herbs, mineral bathes, and natural medicines. Upon graduation she opened a practice in the Portland area. Several patients sought out her unorthodox method of dealing with sickness and pain, and in no time, her business was making a profit. Bethenia could then afford to send nineteen-year old George to the UC Berkley Medical School. He graduated in 1874.

Although Doctor Owens’s eclectic medical practice was prosperous, she was not satisfied. She pined for more knowledge in her chosen field.

On September 1, 1878, she left Portland for Philadelphia to seek counsel from a professor at her former college. She was advised to attend the University of Michigan, and she left at once to enroll. Her daily schedule was filled with lectures, clinics, laboratory work, and examinations. Bethenia was so engrossed in her studies that she did not hear the bell ring between classes. She never tired of the learning process and she never suffered with a day of sickness.

In June of 1880, Doctor Owens received her second degree. After graduation she traveled with one of her classmates to do field work in hospitals and clinics in Chicago. In the fall of that same year, she returned to the University of Michigan, accompanied by her son. Together, the mother and son doctors attended advanced lectures in obstetrics and homeopathic remedies. At the conclusion of the lectures she and George took a trip through Europe. Afterwards, she settled briefly in San Francisco. It was there she met her second husband.

Before she met Colonel John Adair, Bethenia maintained that she was fully committed to her profession and not interested in marriage. A brief courtship with the handsome Civil War veteran changed her mind. The two were married on July 24, 1884, in Portland, Oregon.

Three years after the wedding, the Adairs were expecting their first child. Bethenia boasted in her journal that she was happier than she had ever been before. Her elation would not last long. “At the age of forty-seven,” she wrote, “I gave birth to a little daughter; and now my joy knew no limit, my cup of bliss was full to overflowing. A son I had, and a daughter was what I most desired…For three days only, was she left with us, and then my treasure was taken from me, to join the immortal hosts beyond all earthly pain and sorrow.”

Bethenia found solace from the grief of her daughter’s death in caring for the sick in her Portland practice. No matter what the weather conditions were, and knowing that there was no other doctor within a 200-mile radius, she never refused a call from a patient. She attended to all those in need, at times traveling through dense undergrowth and swollen rivers.

Never content with being solely a physician, Bethenia became a student again in 1889 and enrolled in a Chicago medical school, seeking a post-graduate degree. After she completed her studies, she returned home to her husband and the teenage son they had adopted. Her practice continued to grow, and before long she found she could not keep up with her professional work and maintain a home for her family.

She chose the practice over her marriage and sent John away to a farm they owned in Astoria. The Adairs’ marriage ended in 1903.

At the age of sixty-five, Bethenia retired from her practice. Her focus shifted from day-to-day medical treatment to research. In addition to her research, she worked as a lobbyist for the Women’s Christian Temperance Union. She remained a staunch social and political activist until 1926, when she died of natural causes at the age of eighty-six.

The impact Mr. Beaufort had on Bethenia’s early years lasted a lifetime. According to her memoirs, he instilled in her a love for learning and was the example of the kind of educator she herself eventually became.

An Excerpt From A Beautiful Mine

Frances Allen Noyes

Miner on Candle Creek

“If I can’t be in the hills, I would sooner be dead.”

France Noyes – 1928

A cluster of tents dotted a strip of frozen earth at the base of a massive glacier in Skagway, Alaska. Beyond the solid layer of ice was a thick forest that followed the contours of a mountain. The numerous trees that covered the ridge were like deep-pile carpet and the grassy scruff under the timbers were red and yellow with the coming of autumn. A clear, cold stream flowed swiftly from the white peaks, spilling over the layers of compacted snow. Pieces of the iceberg broke off and fell into the freezing water.

Frances Noyes, a pretty, determined woman dressed in a heavy wool coat, thick-soled, knee-high boots, and wool gloves traveled along a gravel trail running parallel to the stream. She stopped momentarily to plunge a gold mining pan into the rocky creek bed and sift through the pebbles. Like hundreds of other miners that rushed to Alaska in 1898 looking for gold, Frances was confident she would discover a fortune. The biting wind and snow flurries that cut across her path did not deter her from her work. She glanced around at the setting and smiled.

She was invigorated by her surroundings. “If there ever was a woman prospector, it was Frances,” Frances nephew William Simonds recalled of his aunt. “She was never as content in her life as she was mining in the Alaskan wilderness.”

Frances and her husband, Thomas C. Noyes, searched for gold along Otter Creek near Skagway from September 1899 to February 1900. She was one of a handful of women miners who dared to brave the sub-zero temperatures of the isolated Klondike. The intrepid female pioneer actually chose mining as her second career. Her first job was as a stage actress. Beautiful and talented, she spent years entertaining audiences in boomtowns across the Old West. One audience member was Thomas Noyes, a man she fell in love with and wanted to marry in spite of his family’s objections. Had he not stood up to his parents she might not have accompanied him on his mining expedition and might never realized her true calling.

“I shall conduct no training school for actresses,” Montana mining tycoon John Noyes declared. He sent his son Tom a withering glare. The boy had obviously been taken in by a pretty face. Mrs. Allen was not the type of woman he had in mind as a wife for his son. She’d been married and divorced, and that scandal had hardly quieted when a new one had erupted.

 

The full weight of his father’s displeasure only strengthened Tom’s resolve. “You have $2,500 in a trust fund that you are holding for me, have you not, Father?”

“Yes.”

“Well, give me that. I will start out for myself, and you can cut me off without a cent.” Tom had loved Frances Allen ever since he first saw her in a theatrical production. His father thought Tom was too young to marry and Frances too infamous to be his bride, but Tom intended to marry her, and soon. Frances clearly was in danger, however, as another would-be suitor from New Orleans was stalking her from state to state and might soon appear in Butte.

Tom did not change his mind, though his father continually dredged up the infamy of Frances’s past, starting with her divorce from Samuel Allen earlier in 1897. The newspapers had reported every titillating development. According to one account Samuel Allen had told his friends that his ex-wife “is a good woman, but has a passion for money, a siren who uses her charms to infatuate men to the point where they lavish their wealth upon her, but she never strays from the straight and narrow path.”

 

 

A report in Spokane’s Spokesman entitled “She’s An Actress, Ex-Prosecuting Attorney Objects to the Life,” claimed, “ The wreck of this family commenced about the time of the society circus at Natatorium Park in 1895, when Mrs. Allen rode two horses bareback. Mr. Allen did not enjoy this exhibition, and the family was never a happy one.”

Tom suspected his father had seen that article. He was certain the electrifying accounts had convinced his father to forbid him to marry the woman he loved. The newspapers, in Tom’s opinion, wrongly made Frances sound like a beautiful but heartless, money-hungry tease. Tom’s father certainly believed this and reminded his son that no respectable woman would flaunt herself on stage unless she was out to snare a rich husband. Tom knew Frances did not care about money. She would marry him with his small trust fund and no prospects of inheriting his father’s huge fortune.

What worried Tom was the threat hanging over Frances’s life. A would-be suitor, Alfred Hildreth, was stalking Frances, and his actions had steadily become more dangerous. At the Leland Hotel in Chicago, Hildreth had lain in wait for five days. The Southerner confronted Frances in the lobby, and witnesses said Frances agreed to dine with him at a downtown restaurant, only to have the impassion man

 

brandish a carving knife while declaring he would do something desperate if she wouldn’t have him. He had followed Frances through several states, and his ardor increased every time he caught up with her. Tom knew Alfred could show up at any time.

Newspapers in Chicago and New York recorded the tales of Hildreth’s obsession. The Chicago Chronicle carried one story that made Tom’s blood boil. “Alfred J. Hildreth loves Mrs. Frances Allen with such true and ardent affection that he has followed her 5,000 miles to prove it. Even though Mr. Allen secured a divorce from his wife because she rode bareback at a charity circus in Spokane, Wash., attired in the reddest of red silken tights, Hildreth says she is dear to him. Mrs. Allen, however, does not return the feeling of young Hildreth, and she has spent many weary hours moving from one city to another to escape the devoted lover.”

The tights had been pink, but Tom didn’t bother to correct the story. Frances Allen belonged to him, and neither Alfred Hildreth nor Tom’s own father was going to stand in the way of a wedding, Tom decided.

Arabella Frances Patchen Allen did not care that Tom’s father disapproved of her life on the stage. She intended to marry his son.

 

Of all the men who had pursued her since she had left Spokane after the fateful circus ride, Tommy was the one she truly loved. Her first marriage had been troubled from the start. On the day of her wedding to Samuel Allen in 1892, when she was barely eighteen, the groom had disappeared. His drunken companions had held a “special session” and voted to continue the wedding anyway, with a different groom. After several good-natured votes were taken among the unmarried men, each of whom had voted for himself, Samuel had finally reappeared, and the vows were spoken.

For a few years she had enjoyed the social life that was part of being married to a prominent lawyer. Samuel had even given his consent for her participation in the charity circus at Natatorium Park, since half the money would go to the family of a boy who had broken his back in a barrel slide. Her husband had stalked out in a rage when he discovered his beautiful young wife in form-fitting tights and short blue skirt, riveting the attention of every person in the place.

Samuel’s outrage had resulted in a huge quarrel, and she’d left his fine home for good that August. By April of the following year, she had succeeded on the stage. If she hadn’t ridden in the society circus, she might still be married to Samuel and living well, she knew, but by leaving

 

Spokane and taking parts in productions in Bradford, Pennsylvania, she’d achieved some success of her own. And her acting career had allowed her to meet Tom Noyes, whom she had fallen in love with and was prepared to marry.

The 1897 wedding of Tom Noyes and Frances Allen did not compare in any way to Tom’s sister’s wedding, which linked two prosperous mining families and was celebrated as the most brilliant wedding ever held in Montana. Tom and Frances were married in a small, quiet ceremony. By the time Tom’s sister, Ruth Noyes, married Arthur Heinz, Tom and Frances were already mining together in Skagway, Alaska, at the foot of a glacier on Otter Creek.

Tom knew he was a lucky man. Not many women would have smiled through the bitter cold and long darkness of an Alaskan winter. Unlike the California Gold Rush, few women had hurried to the rush in the frozen northland. But his petite, flirtatious Frances was one of a handful of women truly interested in mining. She loved the open country and the freedom from the society that had scorned her.

Frances was as eager as Tom to move on when Otter Creek didn’t provide the wealth they were seeking. They headed for wide-open, lawless Nome, located at the edge of the Seward Peninsula on the Bering Sea.

 

Gold had been discovered at Anvil Creek, and by the spring of 1900, somewhere between twenty and thirty thousand “stampeders” had come to Nome.

Camped above the tide line with thousand of others, Frances, who stood approximately 2 inches shorter than 5 feet tall, helped shovel sand into the portable rockers used to sift out the fine gold. Many people believed that the ocean was depositing gold at high tide. Tents and rockers stretched for miles along the beach.

Tom was appointed to a four-year term as a U.S. Commissioner for the Fairhaven District of Alaska, and soon Frances and Tom were again moving in the upper circles of society, albeit a much more flamboyant elite than the stuffy and conventional social strata they’d left behind. Tom’s knowledge of mining and his impeccable character, dubbed “pure gold” by one of the men he worked with on several claims, earned report in lawless Nome.

Tom wanted to find the Alaska mother lode, and Frances always followed where he led. He learned from one of the native people in the area that gold was easier to get on Candle Creek. Frances put away her silks and lace and followed Tom hundreds of miles north to Candle Creek, where they staked several claims.

 

Frances experienced “mushing” by dogsled and began to learn more and more about prospecting.

Alaskan newspapers covered some of the adventures of the prospecting newlyweds, reporting that they endured “perilous trips, lost trails, climbs over glacier fields, where steps had to be cut with an ax.” More than once Frances was credited with saving her husband’s life. Their claims paid off, and Tom became known as “King of the Candle.” He started a band and built a home for himself and Frances, where anyone was welcome.

In 1902 Tom’s father died, and Tom inherited an interest in a hotel in Seattle. Success piled on success, and Frances and Tom began to alternate between harsh conditions and adventures in Alaska and society teas and balls in Seattle and Butte.

In 1905 Tom and Frances adopted a half-Eskimo girl, Bonnie who was approximately five years old. During the winter she attended school in Butte; in the summer she often returned to Alaska with her parents.

As their success in Candle grew, Tom conceived of a plan to bring water to the rich placer diggings. In the autumn of 1907, he left for New York to obtain $200,000 to finance the completion of the Bear Creek ditch. Frances stayed at Candle to manage their interests.

 

He’d barely arrived in New York when a financial panic hit, jeopardizing the nation’s economy. No bank would loan him money for a project in Alaska, and funds were so tight Tom had to pawn his watch and jewelry to pay his hotel bills. Tom’s bank in Candle and the bank in Nome were threatened with a run by frightened customers eager to get their money into their own hands.

In an unprecedented feat of courage and strength, Frances once again came to her husband’s rescue, only this time she saved his financial life. Pawning her jewelry to raise ten thousand dollars, Frances mushed across the frozen Artic tundra in the dead of winter. The story was printed in the Seattle Times and many other newspapers. “With only a driver for her team of malamutes, she started out across the hundreds of miles of ice and snow, the thermometer so low it almost faded from view. Through the short days and into the nights this brave woman trudged on through the snow. Many days were needed for the journey, but the news that the money was coming had spread a better feeling in Nome and the bank was able to weather the storm until relief should arrive. The journey made by Mrs. Noyes was one of the most heroic ever attempted by a woman on her own initiative in the far North, and when she reached Nome she was accorded a welcome that was commensurate with her feat.

The bank was saved, and a woman had been the agent.”

Unfortunately, two years later Tom’s bank failed, and his claims at Candle were lost. Tom had made a critical mistake – failing to use his official bank title when he signed checks – that left him personally liable when the bank failed. Tom and Frances retreated to Tongass Island near Ketchikan. In 1913 Tom ventured out to try his luck during a stampeded to the Shushana gold strike. Shortly afterward, Frances joined him. There the harsh conditions of the Alaskan goldfields took their final toll.

Although they met with some success, one of the prospecting trips they took resulted in disaster. Days on the trail in temperatures as low as fifty degrees below zero with little shelter and poor food left Tom a “physical wreck.”

On December 15, 1915, Tom was hospitalized in Port Simpson General Hospital in British Columbia. Frances slept on a cot in his room, watching over and caring for him. Later, with Frances and his mother at his side, he was taken to a hospital in St. Louis, but he died of pneumonia on February 2, 1916.

Stunned and heartbroken, their fortune gone, Frances returned alone to Tongass Island. She received a letter that spring from one of their former partners who recalled Tom and Frances’s early days at Otter Creek.

“Nearly 17 years ago you said goodbye to me on the platform at Seattle and you knew that you were saying farewell to a friend who would have done anything for you. I have not altered. I am just the same William you knew at Otter Creek and in our little camp at the foot of the glacier.”

The letter goes on to remember Tom.

“I shall never realize that Tommy is dead. Since I left you I have been in many places and had dealings with many men, but I have never come across another Tommy, he was just pure gold. I was trying to think last night if I could remember him being out of temper or cross, but I could not, and we had some trying times. It is a great thing to have had a partner in life who you can look forward to meeting, to whom you can hold your hand out to and look straight in the eye and say “Tommy, I am glad to see you.”

Perhaps there may be another Klondike for us beyond the clouds; if there is I could ask for nothing better than my two dear friends of the glacier should be my partners again.”

The writer advised Frances not to return to Alaska, but the woman who had married at eighteen, divorced at twenty-three, and married again that same year to a man she cherished despite the scorn and anger of her father-in-law, returned to the northern land she loved.

She kept body and soul together by managing the Nakat Inlet cannery store, but her love of the Alaskan wilderness eventually lured her away from civilization. She went back to prospecting, where everything she’d learned from her beloved Tommy allowed her to prosper.

Frances married again at the age of forty-five, to William Muncaster, who was 15 years younger. Despite the age difference, Bill had been smitten for years with Frances. He’d sent her love letters and stopped in to visit her between trips to survey Alaska for the Coast and Geodetic Survey. Bonnie accompanied Frances and her new stepfather on their honeymoon trip to Alaska’s goldfields.

Frances and William lived in a cabin on Wellesley Lake. They prospected and often went on fishing and hunting trips even when the temperature dipped to fifty below zero. Tom’s memory, however, never faded from Frances. Visiting a place she and Tom had stayed during the Shushana gold strike, she wrote in her diary, “Everything looks different. Everything is different.”

One that never changed was Frances’s love of prospecting. She and William visited their claims until 1946, when Frances was seventy-two years old and living in Haines, a small town in southeastern Alaska.

 

The woman who scandalized Spokane with her daring ride in pink tights, the actress who caused a mining tycoon to shun his heir, the woman who saved her husband’s bank with a grueling trek across the frozen northland, the unlikely prospector who loved Alaska so much she spent fifty-four years there, died on October 28, 1952. William Muncaster provided the press with clippings and stories about her life in Alaska. He wrote a final letter for the local newspaper.

Dear Sir,

Please publish this letter, for I wish to thank with all my heart all the people, young and old alike, in the town of Haines, Alaska, and the adjoining vicinities North, South, East and West for the unbelievable 100 percent respect shown by them as Mrs. Frances Mucaster’s final rites. I thank you.

William Muncaster

Frances Allen Noyes

Miner on Candle Creek

“If I can’t be in the hills, I would sooner be dead.”

France Noyes – 1928

A cluster of tents dotted a strip of frozen earth at the base of a massive glacier in Skagway, Alaska. Beyond the solid layer of ice was a thick forest that followed the contours of a mountain. The numerous trees that covered the ridge were like deep-pile carpet and the grassy scruff under the timbers were red and yellow with the coming of autumn. A clear, cold stream flowed swiftly from the white peaks, spilling over the layers of compacted snow. Pieces of the iceberg broke off and fell into the freezing water.

Frances Noyes, a pretty, determined woman dressed in a heavy wool coat, thick-soled, knee-high boots, and wool gloves traveled along a gravel trail running parallel to the stream. She stopped momentarily to plunge a gold mining pan into the rocky creek bed and sift through the pebbles. Like hundreds of other miners that rushed to Alaska in 1898 looking for gold, Frances was confident she would discover a fortune. The biting wind and snow flurries that cut across her path did not deter her from her work. She glanced around at the setting and smiled.

She was invigorated by her surroundings. “If there ever was a woman prospector, it was Frances,” Frances nephew William Simonds recalled of his aunt. “She was never as content in her life as she was mining in the Alaskan wilderness.”

Frances and her husband, Thomas C. Noyes, searched for gold along Otter Creek near Skagway from September 1899 to February 1900. She was one of a handful of women miners who dared to brave the sub-zero temperatures of the isolated Klondike. The intrepid female pioneer actually chose mining as her second career. Her first job was as a stage actress. Beautiful and talented, she spent years entertaining audiences in boomtowns across the Old West. One audience member was Thomas Noyes, a man she fell in love with and wanted to marry in spite of his family’s objections. Had he not stood up to his parents she might not have accompanied him on his mining expedition and might never realized her true calling.

“I shall conduct no training school for actresses,” Montana mining tycoon John Noyes declared. He sent his son Tom a withering glare. The boy had obviously been taken in by a pretty face. Mrs. Allen was not the type of woman he had in mind as a wife for his son. She’d been married and divorced, and that scandal had hardly quieted when a new one had erupted.

 

The full weight of his father’s displeasure only strengthened Tom’s resolve. “You have $2,500 in a trust fund that you are holding for me, have you not, Father?”

“Yes.”

“Well, give me that. I will start out for myself, and you can cut me off without a cent.” Tom had loved Frances Allen ever since he first saw her in a theatrical production. His father thought Tom was too young to marry and Frances too infamous to be his bride, but Tom intended to marry her, and soon. Frances clearly was in danger, however, as another would-be suitor from New Orleans was stalking her from state to state and might soon appear in Butte.

Tom did not change his mind, though his father continually dredged up the infamy of Frances’s past, starting with her divorce from Samuel Allen earlier in 1897. The newspapers had reported every titillating development. According to one account Samuel Allen had told his friends that his ex-wife “is a good woman, but has a passion for money, a siren who uses her charms to infatuate men to the point where they lavish their wealth upon her, but she never strays from the straight and narrow path.”

 

 

A report in Spokane’s Spokesman entitled “She’s An Actress, Ex-Prosecuting Attorney Objects to the Life,” claimed, “ The wreck of this family commenced about the time of the society circus at Natatorium Park in 1895, when Mrs. Allen rode two horses bareback. Mr. Allen did not enjoy this exhibition, and the family was never a happy one.”

Tom suspected his father had seen that article. He was certain the electrifying accounts had convinced his father to forbid him to marry the woman he loved. The newspapers, in Tom’s opinion, wrongly made Frances sound like a beautiful but heartless, money-hungry tease. Tom’s father certainly believed this and reminded his son that no respectable woman would flaunt herself on stage unless she was out to snare a rich husband. Tom knew Frances did not care about money. She would marry him with his small trust fund and no prospects of inheriting his father’s huge fortune.

What worried Tom was the threat hanging over Frances’s life. A would-be suitor, Alfred Hildreth, was stalking Frances, and his actions had steadily become more dangerous. At the Leland Hotel in Chicago, Hildreth had lain in wait for five days. The Southerner confronted Frances in the lobby, and witnesses said Frances agreed to dine with him at a downtown restaurant, only to have the impassion man

 

brandish a carving knife while declaring he would do something desperate if she wouldn’t have him. He had followed Frances through several states, and his ardor increased every time he caught up with her. Tom knew Alfred could show up at any time.

Newspapers in Chicago and New York recorded the tales of Hildreth’s obsession. The Chicago Chronicle carried one story that made Tom’s blood boil. “Alfred J. Hildreth loves Mrs. Frances Allen with such true and ardent affection that he has followed her 5,000 miles to prove it. Even though Mr. Allen secured a divorce from his wife because she rode bareback at a charity circus in Spokane, Wash., attired in the reddest of red silken tights, Hildreth says she is dear to him. Mrs. Allen, however, does not return the feeling of young Hildreth, and she has spent many weary hours moving from one city to another to escape the devoted lover.”

The tights had been pink, but Tom didn’t bother to correct the story. Frances Allen belonged to him, and neither Alfred Hildreth nor Tom’s own father was going to stand in the way of a wedding, Tom decided.

Arabella Frances Patchen Allen did not care that Tom’s father disapproved of her life on the stage. She intended to marry his son.

 

Of all the men who had pursued her since she had left Spokane after the fateful circus ride, Tommy was the one she truly loved. Her first marriage had been troubled from the start. On the day of her wedding to Samuel Allen in 1892, when she was barely eighteen, the groom had disappeared. His drunken companions had held a “special session” and voted to continue the wedding anyway, with a different groom. After several good-natured votes were taken among the unmarried men, each of whom had voted for himself, Samuel had finally reappeared, and the vows were spoken.

For a few years she had enjoyed the social life that was part of being married to a prominent lawyer. Samuel had even given his consent for her participation in the charity circus at Natatorium Park, since half the money would go to the family of a boy who had broken his back in a barrel slide. Her husband had stalked out in a rage when he discovered his beautiful young wife in form-fitting tights and short blue skirt, riveting the attention of every person in the place.

Samuel’s outrage had resulted in a huge quarrel, and she’d left his fine home for good that August. By April of the following year, she had succeeded on the stage. If she hadn’t ridden in the society circus, she might still be married to Samuel and living well, she knew, but by leaving

 

Spokane and taking parts in productions in Bradford, Pennsylvania, she’d achieved some success of her own. And her acting career had allowed her to meet Tom Noyes, whom she had fallen in love with and was prepared to marry.

The 1897 wedding of Tom Noyes and Frances Allen did not compare in any way to Tom’s sister’s wedding, which linked two prosperous mining families and was celebrated as the most brilliant wedding ever held in Montana. Tom and Frances were married in a small, quiet ceremony. By the time Tom’s sister, Ruth Noyes, married Arthur Heinz, Tom and Frances were already mining together in Skagway, Alaska, at the foot of a glacier on Otter Creek.

Tom knew he was a lucky man. Not many women would have smiled through the bitter cold and long darkness of an Alaskan winter. Unlike the California Gold Rush, few women had hurried to the rush in the frozen northland. But his petite, flirtatious Frances was one of a handful of women truly interested in mining. She loved the open country and the freedom from the society that had scorned her.

Frances was as eager as Tom to move on when Otter Creek didn’t provide the wealth they were seeking. They headed for wide-open, lawless Nome, located at the edge of the Seward Peninsula on the Bering Sea.

 

Gold had been discovered at Anvil Creek, and by the spring of 1900, somewhere between twenty and thirty thousand “stampeders” had come to Nome.

Camped above the tide line with thousand of others, Frances, who stood approximately 2 inches shorter than 5 feet tall, helped shovel sand into the portable rockers used to sift out the fine gold. Many people believed that the ocean was depositing gold at high tide. Tents and rockers stretched for miles along the beach.

Tom was appointed to a four-year term as a U.S. Commissioner for the Fairhaven District of Alaska, and soon Frances and Tom were again moving in the upper circles of society, albeit a much more flamboyant elite than the stuffy and conventional social strata they’d left behind. Tom’s knowledge of mining and his impeccable character, dubbed “pure gold” by one of the men he worked with on several claims, earned report in lawless Nome.

Tom wanted to find the Alaska mother lode, and Frances always followed where he led. He learned from one of the native people in the area that gold was easier to get on Candle Creek. Frances put away her silks and lace and followed Tom hundreds of miles north to Candle Creek, where they staked several claims.

 

Frances experienced “mushing” by dogsled and began to learn more and more about prospecting.

Alaskan newspapers covered some of the adventures of the prospecting newlyweds, reporting that they endured “perilous trips, lost trails, climbs over glacier fields, where steps had to be cut with an ax.” More than once Frances was credited with saving her husband’s life. Their claims paid off, and Tom became known as “King of the Candle.” He started a band and built a home for himself and Frances, where anyone was welcome.

In 1902 Tom’s father died, and Tom inherited an interest in a hotel in Seattle. Success piled on success, and Frances and Tom began to alternate between harsh conditions and adventures in Alaska and society teas and balls in Seattle and Butte.

In 1905 Tom and Frances adopted a half-Eskimo girl, Bonnie who was approximately five years old. During the winter she attended school in Butte; in the summer she often returned to Alaska with her parents.

As their success in Candle grew, Tom conceived of a plan to bring water to the rich placer diggings. In the autumn of 1907, he left for New York to obtain $200,000 to finance the completion of the Bear Creek ditch. Frances stayed at Candle to manage their interests.

 

He’d barely arrived in New York when a financial panic hit, jeopardizing the nation’s economy. No bank would loan him money for a project in Alaska, and funds were so tight Tom had to pawn his watch and jewelry to pay his hotel bills. Tom’s bank in Candle and the bank in Nome were threatened with a run by frightened customers eager to get their money into their own hands.

In an unprecedented feat of courage and strength, Frances once again came to her husband’s rescue, only this time she saved his financial life. Pawning her jewelry to raise ten thousand dollars, Frances mushed across the frozen Artic tundra in the dead of winter. The story was printed in the Seattle Times and many other newspapers. “With only a driver for her team of malamutes, she started out across the hundreds of miles of ice and snow, the thermometer so low it almost faded from view. Through the short days and into the nights this brave woman trudged on through the snow. Many days were needed for the journey, but the news that the money was coming had spread a better feeling in Nome and the bank was able to weather the storm until relief should arrive. The journey made by Mrs. Noyes was one of the most heroic ever attempted by a woman on her own initiative in the far North, and when she reached Nome she was accorded a welcome that was commensurate with her feat.

The bank was saved, and a woman had been the agent.”

Unfortunately, two years later Tom’s bank failed, and his claims at Candle were lost. Tom had made a critical mistake – failing to use his official bank title when he signed checks – that left him personally liable when the bank failed. Tom and Frances retreated to Tongass Island near Ketchikan. In 1913 Tom ventured out to try his luck during a stampeded to the Shushana gold strike. Shortly afterward, Frances joined him. There the harsh conditions of the Alaskan goldfields took their final toll.

Although they met with some success, one of the prospecting trips they took resulted in disaster. Days on the trail in temperatures as low as fifty degrees below zero with little shelter and poor food left Tom a “physical wreck.”

On December 15, 1915, Tom was hospitalized in Port Simpson General Hospital in British Columbia. Frances slept on a cot in his room, watching over and caring for him. Later, with Frances and his mother at his side, he was taken to a hospital in St. Louis, but he died of pneumonia on February 2, 1916.

Stunned and heartbroken, their fortune gone, Frances returned alone to Tongass Island. She received a letter that spring from one of their former partners who recalled Tom and Frances’s early days at Otter Creek.

“Nearly 17 years ago you said goodbye to me on the platform at Seattle and you knew that you were saying farewell to a friend who would have done anything for you. I have not altered. I am just the same William you knew at Otter Creek and in our little camp at the foot of the glacier.”

The letter goes on to remember Tom.

“I shall never realize that Tommy is dead. Since I left you I have been in many places and had dealings with many men, but I have never come across another Tommy, he was just pure gold. I was trying to think last night if I could remember him being out of temper or cross, but I could not, and we had some trying times. It is a great thing to have had a partner in life who you can look forward to meeting, to whom you can hold your hand out to and look straight in the eye and say “Tommy, I am glad to see you.”

Perhaps there may be another Klondike for us beyond the clouds; if there is I could ask for nothing better than my two dear friends of the glacier should be my partners again.”

The writer advised Frances not to return to Alaska, but the woman who had married at eighteen, divorced at twenty-three, and married again that same year to a man she cherished despite the scorn and anger of her father-in-law, returned to the northern land she loved.

She kept body and soul together by managing the Nakat Inlet cannery store, but her love of the Alaskan wilderness eventually lured her away from civilization. She went back to prospecting, where everything she’d learned from her beloved Tommy allowed her to prosper.

Frances married again at the age of forty-five, to William Muncaster, who was 15 years younger. Despite the age difference, Bill had been smitten for years with Frances. He’d sent her love letters and stopped in to visit her between trips to survey Alaska for the Coast and Geodetic Survey. Bonnie accompanied Frances and her new stepfather on their honeymoon trip to Alaska’s goldfields.

Frances and William lived in a cabin on Wellesley Lake. They prospected and often went on fishing and hunting trips even when the temperature dipped to fifty below zero. Tom’s memory, however, never faded from Frances. Visiting a place she and Tom had stayed during the Shushana gold strike, she wrote in her diary, “Everything looks different. Everything is different.”

One that never changed was Frances’s love of prospecting. She and William visited their claims until 1946, when Frances was seventy-two years old and living in Haines, a small town in southeastern Alaska.

 

The woman who scandalized Spokane with her daring ride in pink tights, the actress who caused a mining tycoon to shun his heir, the woman who saved her husband’s bank with a grueling trek across the frozen northland, the unlikely prospector who loved Alaska so much she spent fifty-four years there, died on October 28, 1952. William Muncaster provided the press with clippings and stories about her life in Alaska. He wrote a final letter for the local newspaper.

Dear Sir,

Please publish this letter, for I wish to thank with all my heart all the people, young and old alike, in the town of Haines, Alaska, and the adjoining vicinities North, South, East and West for the unbelievable 100 percent respect shown by them as Mrs. Frances Mucaster’s final rites. I thank you.

William Muncaster

Frances Allen Noyes

Miner on Candle Creek

“If I can’t be in the hills, I would sooner be dead.”

France Noyes – 1928

A cluster of tents dotted a strip of frozen earth at the base of a massive glacier in Skagway, Alaska. Beyond the solid layer of ice was a thick forest that followed the contours of a mountain. The numerous trees that covered the ridge were like deep-pile carpet and the grassy scruff under the timbers were red and yellow with the coming of autumn. A clear, cold stream flowed swiftly from the white peaks, spilling over the layers of compacted snow. Pieces of the iceberg broke off and fell into the freezing water.

Frances Noyes, a pretty, determined woman dressed in a heavy wool coat, thick-soled, knee-high boots, and wool gloves traveled along a gravel trail running parallel to the stream. She stopped momentarily to plunge a gold mining pan into the rocky creek bed and sift through the pebbles. Like hundreds of other miners that rushed to Alaska in 1898 looking for gold, Frances was confident she would discover a fortune. The biting wind and snow flurries that cut across her path did not deter her from her work. She glanced around at the setting and smiled.

She was invigorated by her surroundings. “If there ever was a woman prospector, it was Frances,” Frances nephew William Simonds recalled of his aunt. “She was never as content in her life as she was mining in the Alaskan wilderness.”

Frances and her husband, Thomas C. Noyes, searched for gold along Otter Creek near Skagway from September 1899 to February 1900. She was one of a handful of women miners who dared to brave the sub-zero temperatures of the isolated Klondike. The intrepid female pioneer actually chose mining as her second career. Her first job was as a stage actress. Beautiful and talented, she spent years entertaining audiences in boomtowns across the Old West. One audience member was Thomas Noyes, a man she fell in love with and wanted to marry in spite of his family’s objections. Had he not stood up to his parents she might not have accompanied him on his mining expedition and might never realized her true calling.

“I shall conduct no training school for actresses,” Montana mining tycoon John Noyes declared. He sent his son Tom a withering glare. The boy had obviously been taken in by a pretty face. Mrs. Allen was not the type of woman he had in mind as a wife for his son. She’d been married and divorced, and that scandal had hardly quieted when a new one had erupted.

 

The full weight of his father’s displeasure only strengthened Tom’s resolve. “You have $2,500 in a trust fund that you are holding for me, have you not, Father?”

“Yes.”

“Well, give me that. I will start out for myself, and you can cut me off without a cent.” Tom had loved Frances Allen ever since he first saw her in a theatrical production. His father thought Tom was too young to marry and Frances too infamous to be his bride, but Tom intended to marry her, and soon. Frances clearly was in danger, however, as another would-be suitor from New Orleans was stalking her from state to state and might soon appear in Butte.

Tom did not change his mind, though his father continually dredged up the infamy of Frances’s past, starting with her divorce from Samuel Allen earlier in 1897. The newspapers had reported every titillating development. According to one account Samuel Allen had told his friends that his ex-wife “is a good woman, but has a passion for money, a siren who uses her charms to infatuate men to the point where they lavish their wealth upon her, but she never strays from the straight and narrow path.”

 

 

A report in Spokane’s Spokesman entitled “She’s An Actress, Ex-Prosecuting Attorney Objects to the Life,” claimed, “ The wreck of this family commenced about the time of the society circus at Natatorium Park in 1895, when Mrs. Allen rode two horses bareback. Mr. Allen did not enjoy this exhibition, and the family was never a happy one.”

Tom suspected his father had seen that article. He was certain the electrifying accounts had convinced his father to forbid him to marry the woman he loved. The newspapers, in Tom’s opinion, wrongly made Frances sound like a beautiful but heartless, money-hungry tease. Tom’s father certainly believed this and reminded his son that no respectable woman would flaunt herself on stage unless she was out to snare a rich husband. Tom knew Frances did not care about money. She would marry him with his small trust fund and no prospects of inheriting his father’s huge fortune.

What worried Tom was the threat hanging over Frances’s life. A would-be suitor, Alfred Hildreth, was stalking Frances, and his actions had steadily become more dangerous. At the Leland Hotel in Chicago, Hildreth had lain in wait for five days. The Southerner confronted Frances in the lobby, and witnesses said Frances agreed to dine with him at a downtown restaurant, only to have the impassion man

 

brandish a carving knife while declaring he would do something desperate if she wouldn’t have him. He had followed Frances through several states, and his ardor increased every time he caught up with her. Tom knew Alfred could show up at any time.

Newspapers in Chicago and New York recorded the tales of Hildreth’s obsession. The Chicago Chronicle carried one story that made Tom’s blood boil. “Alfred J. Hildreth loves Mrs. Frances Allen with such true and ardent affection that he has followed her 5,000 miles to prove it. Even though Mr. Allen secured a divorce from his wife because she rode bareback at a charity circus in Spokane, Wash., attired in the reddest of red silken tights, Hildreth says she is dear to him. Mrs. Allen, however, does not return the feeling of young Hildreth, and she has spent many weary hours moving from one city to another to escape the devoted lover.”

The tights had been pink, but Tom didn’t bother to correct the story. Frances Allen belonged to him, and neither Alfred Hildreth nor Tom’s own father was going to stand in the way of a wedding, Tom decided.

Arabella Frances Patchen Allen did not care that Tom’s father disapproved of her life on the stage. She intended to marry his son.

 

Of all the men who had pursued her since she had left Spokane after the fateful circus ride, Tommy was the one she truly loved. Her first marriage had been troubled from the start. On the day of her wedding to Samuel Allen in 1892, when she was barely eighteen, the groom had disappeared. His drunken companions had held a “special session” and voted to continue the wedding anyway, with a different groom. After several good-natured votes were taken among the unmarried men, each of whom had voted for himself, Samuel had finally reappeared, and the vows were spoken.

For a few years she had enjoyed the social life that was part of being married to a prominent lawyer. Samuel had even given his consent for her participation in the charity circus at Natatorium Park, since half the money would go to the family of a boy who had broken his back in a barrel slide. Her husband had stalked out in a rage when he discovered his beautiful young wife in form-fitting tights and short blue skirt, riveting the attention of every person in the place.

Samuel’s outrage had resulted in a huge quarrel, and she’d left his fine home for good that August. By April of the following year, she had succeeded on the stage. If she hadn’t ridden in the society circus, she might still be married to Samuel and living well, she knew, but by leaving

 

Spokane and taking parts in productions in Bradford, Pennsylvania, she’d achieved some success of her own. And her acting career had allowed her to meet Tom Noyes, whom she had fallen in love with and was prepared to marry.

The 1897 wedding of Tom Noyes and Frances Allen did not compare in any way to Tom’s sister’s wedding, which linked two prosperous mining families and was celebrated as the most brilliant wedding ever held in Montana. Tom and Frances were married in a small, quiet ceremony. By the time Tom’s sister, Ruth Noyes, married Arthur Heinz, Tom and Frances were already mining together in Skagway, Alaska, at the foot of a glacier on Otter Creek.

Tom knew he was a lucky man. Not many women would have smiled through the bitter cold and long darkness of an Alaskan winter. Unlike the California Gold Rush, few women had hurried to the rush in the frozen northland. But his petite, flirtatious Frances was one of a handful of women truly interested in mining. She loved the open country and the freedom from the society that had scorned her.

Frances was as eager as Tom to move on when Otter Creek didn’t provide the wealth they were seeking. They headed for wide-open, lawless Nome, located at the edge of the Seward Peninsula on the Bering Sea.

 

Gold had been discovered at Anvil Creek, and by the spring of 1900, somewhere between twenty and thirty thousand “stampeders” had come to Nome.

Camped above the tide line with thousand of others, Frances, who stood approximately 2 inches shorter than 5 feet tall, helped shovel sand into the portable rockers used to sift out the fine gold. Many people believed that the ocean was depositing gold at high tide. Tents and rockers stretched for miles along the beach.

Tom was appointed to a four-year term as a U.S. Commissioner for the Fairhaven District of Alaska, and soon Frances and Tom were again moving in the upper circles of society, albeit a much more flamboyant elite than the stuffy and conventional social strata they’d left behind. Tom’s knowledge of mining and his impeccable character, dubbed “pure gold” by one of the men he worked with on several claims, earned report in lawless Nome.

Tom wanted to find the Alaska mother lode, and Frances always followed where he led. He learned from one of the native people in the area that gold was easier to get on Candle Creek. Frances put away her silks and lace and followed Tom hundreds of miles north to Candle Creek, where they staked several claims.

 

Frances experienced “mushing” by dogsled and began to learn more and more about prospecting.

Alaskan newspapers covered some of the adventures of the prospecting newlyweds, reporting that they endured “perilous trips, lost trails, climbs over glacier fields, where steps had to be cut with an ax.” More than once Frances was credited with saving her husband’s life. Their claims paid off, and Tom became known as “King of the Candle.” He started a band and built a home for himself and Frances, where anyone was welcome.

In 1902 Tom’s father died, and Tom inherited an interest in a hotel in Seattle. Success piled on success, and Frances and Tom began to alternate between harsh conditions and adventures in Alaska and society teas and balls in Seattle and Butte.

In 1905 Tom and Frances adopted a half-Eskimo girl, Bonnie who was approximately five years old. During the winter she attended school in Butte; in the summer she often returned to Alaska with her parents.

As their success in Candle grew, Tom conceived of a plan to bring water to the rich placer diggings. In the autumn of 1907, he left for New York to obtain $200,000 to finance the completion of the Bear Creek ditch. Frances stayed at Candle to manage their interests.

 

He’d barely arrived in New York when a financial panic hit, jeopardizing the nation’s economy. No bank would loan him money for a project in Alaska, and funds were so tight Tom had to pawn his watch and jewelry to pay his hotel bills. Tom’s bank in Candle and the bank in Nome were threatened with a run by frightened customers eager to get their money into their own hands.

In an unprecedented feat of courage and strength, Frances once again came to her husband’s rescue, only this time she saved his financial life. Pawning her jewelry to raise ten thousand dollars, Frances mushed across the frozen Artic tundra in the dead of winter. The story was printed in the Seattle Times and many other newspapers. “With only a driver for her team of malamutes, she started out across the hundreds of miles of ice and snow, the thermometer so low it almost faded from view. Through the short days and into the nights this brave woman trudged on through the snow. Many days were needed for the journey, but the news that the money was coming had spread a better feeling in Nome and the bank was able to weather the storm until relief should arrive. The journey made by Mrs. Noyes was one of the most heroic ever attempted by a woman on her own initiative in the far North, and when she reached Nome she was accorded a welcome that was commensurate with her feat.

The bank was saved, and a woman had been the agent.”

Unfortunately, two years later Tom’s bank failed, and his claims at Candle were lost. Tom had made a critical mistake – failing to use his official bank title when he signed checks – that left him personally liable when the bank failed. Tom and Frances retreated to Tongass Island near Ketchikan. In 1913 Tom ventured out to try his luck during a stampeded to the Shushana gold strike. Shortly afterward, Frances joined him. There the harsh conditions of the Alaskan goldfields took their final toll.

Although they met with some success, one of the prospecting trips they took resulted in disaster. Days on the trail in temperatures as low as fifty degrees below zero with little shelter and poor food left Tom a “physical wreck.”

On December 15, 1915, Tom was hospitalized in Port Simpson General Hospital in British Columbia. Frances slept on a cot in his room, watching over and caring for him. Later, with Frances and his mother at his side, he was taken to a hospital in St. Louis, but he died of pneumonia on February 2, 1916.

Stunned and heartbroken, their fortune gone, Frances returned alone to Tongass Island. She received a letter that spring from one of their former partners who recalled Tom and Frances’s early days at Otter Creek.

“Nearly 17 years ago you said goodbye to me on the platform at Seattle and you knew that you were saying farewell to a friend who would have done anything for you. I have not altered. I am just the same William you knew at Otter Creek and in our little camp at the foot of the glacier.”

The letter goes on to remember Tom.

“I shall never realize that Tommy is dead. Since I left you I have been in many places and had dealings with many men, but I have never come across another Tommy, he was just pure gold. I was trying to think last night if I could remember him being out of temper or cross, but I could not, and we had some trying times. It is a great thing to have had a partner in life who you can look forward to meeting, to whom you can hold your hand out to and look straight in the eye and say “Tommy, I am glad to see you.”

Perhaps there may be another Klondike for us beyond the clouds; if there is I could ask for nothing better than my two dear friends of the glacier should be my partners again.”

The writer advised Frances not to return to Alaska, but the woman who had married at eighteen, divorced at twenty-three, and married again that same year to a man she cherished despite the scorn and anger of her father-in-law, returned to the northern land she loved.

She kept body and soul together by managing the Nakat Inlet cannery store, but her love of the Alaskan wilderness eventually lured her away from civilization. She went back to prospecting, where everything she’d learned from her beloved Tommy allowed her to prosper.

Frances married again at the age of forty-five, to William Muncaster, who was 15 years younger. Despite the age difference, Bill had been smitten for years with Frances. He’d sent her love letters and stopped in to visit her between trips to survey Alaska for the Coast and Geodetic Survey. Bonnie accompanied Frances and her new stepfather on their honeymoon trip to Alaska’s goldfields.

Frances and William lived in a cabin on Wellesley Lake. They prospected and often went on fishing and hunting trips even when the temperature dipped to fifty below zero. Tom’s memory, however, never faded from Frances. Visiting a place she and Tom had stayed during the Shushana gold strike, she wrote in her diary, “Everything looks different. Everything is different.”

One that never changed was Frances’s love of prospecting. She and William visited their claims until 1946, when Frances was seventy-two years old and living in Haines, a small town in southeastern Alaska.

 

The woman who scandalized Spokane with her daring ride in pink tights, the actress who caused a mining tycoon to shun his heir, the woman who saved her husband’s bank with a grueling trek across the frozen northland, the unlikely prospector who loved Alaska so much she spent fifty-four years there, died on October 28, 1952. William Muncaster provided the press with clippings and stories about her life in Alaska. He wrote a final letter for the local newspaper.

Dear Sir,

Please publish this letter, for I wish to thank with all my heart all the people, young and old alike, in the town of Haines, Alaska, and the adjoining vicinities North, South, East and West for the unbelievable 100 percent respect shown by them as Mrs. Frances Mucaster’s final rites. I thank you.

William Muncaster

An Excerpt From Outlaw Tales of California

Four teams of tired, uninspired horses pulled a line of buckboards filled with coffins over the dry, dusty terrain twelve miles outside of the village of San Juan Capistrano. The wagon drivers and a dozen other men riding with them stared soberly out at the land. Ahead in the near distance they could see a smattering of dead bodies strewn across the semi-desert floor. Misshapen dead horses, bloating in the heat, lay beside their lifeless owners.
As the buckboards inched closer to the carnage, the vehicle’s wheels cut through clotted blood pools spread over the ground. The drivers slowed the teams to a halt and without speaking the men on board the wagons began unloading the wooden crates. Their busy hands then lifted the bodies off the hard earth and placed them in the caskets. All of the corpses were wearing badges, five of the men were deputies and one was Los Angeles Sheriff James R. Barton. Each of the lawmen were riddled with bullets, they had been stripped of their belongings and their right eyes had been shot out.
The objective of the slain posse, dispatched on January 22, 1857, was to track down a cattle rustler and horse thief named Juan Flores. Flores’s criminal activities began in 1855. He had run rough shot over a stretch of Southern California that extended from Sacramento to the San Joaquin Valley. Along the way he recruited more than 50 outlaws to assist him in the looting and killing of ranchers and their families. When Sheriff Barton learned of Flores’s hideout he wasted no time organizing volunteers. The experienced lawman believed he could apprehend the murderous bandit. He had no idea when he was riding hard towards the area where Flores was last seen that he was riding into an ambush.
Once the Sheriff’s body and that of his deputies were secured in the coffins the boxes were stacked inside the buckboards. Another posse was sent out to find Flores and bring him to justice, now not only for his existing sins, but for the brutal slaying of Barton and his men. The search for Flores was the largest manhunt in Old West history.
Juan Flores was born in 1835 in Santa Barbara, California. His parents were well respected members of the community and proud of the handsome son they believed would grow up to be an exceptional man. It is not known what prompted Flores to abandon the high hopes his mother and father had for him and embark on a life of crime. Historians suggest that the Floreses were a struggling family of farmers and that Juan aspired for a more affluent lifestyle. He was not opposed to achieving his goal illegally either. He left home at 17 and joined a gang of ruthless cattle rustlers made up of American drifters, Mexican bandits, ex-convicts, fugitives and army deserters.
Cattle was a critical element of the West’s economy. California grown beef used to supply the growing population of prospectors and immigrant families and it increased daily in price. Because of the escalated cost the territory was infested with bands of cattle thieves committing depredations upon the ranges. Ranchers not only had to worry about bandits stealing from them, but hungry and desperate Native Americans as well. Some cattle owners lost their entire herds to either the Indians or the rustlers. Flores rode with a bandito bunch that raided cattle farms around the area of Rancho Santa Margarita. He primarily focused on stealing horses and was eventually arrested for the offense in 1856. He was tried and convicted and was ordered to serve his time in the jail at San Quentin. Flores was bitter over his circumstances and restless with the wait inside a cell. Anxious to be free, he teamed up with a hundred other inmates in a massive jailbreak. The plans were thwarted before the prisoners were able to flee the premises, however.
Flores was discouraged, but not defeated. With the help of several fellow outlaws, his second attempt to bust out of prison was a success. The elaborate escape involved overtaking the crew onboard a ship docked at the wharf at Point San Quentin. The inexperienced bandit sailors steered the vessel out of the harbor amidst a barrage of gunfire from prison guards and law enforcement. The lawless crew navigated the ship through the open waters, making it to the Contra Costa shoreline where they docked. The men then split up and went their separate ways.
Law enforcement combed the hills around Santa Barbara looking for Flores and the others, but the felons could not be found. Flores had managed to allude the lawmen making his way to San Luis Obispo. Once he reached the picturesque town, the ambitious renegade immediately began enlisting a host of like-minded criminals to join him in his illegal ventures.
The most savage of all of Flores’s recruits was 20 year-old Andres Fontes. Fontes claimed he was driven to a life of crime by Sheriff James Barton. The two had been in love with the same woman when Barton accused Fontes of stealing a horse to get rid of him. Fontes spent two years in prison and vowed to kill Barton when he was released. His hatred for law enforcement and bent toward lawbreaking made he and Flores natural allies.
Bandits were drawn to Flores’s charm and criminal vision. He organized and led more than 50 men on numerous cattle rustling raids. It was an easy transition from cattle rustling to robbery for Flores. He organized the looting of small towns, stage holdups, and the ransacking of prospector’s camps. He and his men also kidnapped lone travelers and held them for ransom. Dead bodies were often times left in the wake of the mayhem. Residents in mining communities throughout the state were petrified of the fugitive. Flores fueled the fear with bold, public acts of violence. In late 1856, the bandit and his gang snatched a German settler off a trail outside of San Diego. They demanded the victim pay a hefty sum for his release, but the settler refused. Flores made an example of the man in the town square. With hundreds looking on, he shot the stubborn emigrant to death.
With the help of his love interest, Chola Martina, Flores and his desperados invaded the homes and businesses of two well-known mercantile owners in San Juan Capistrano. One of the men was murdered trying to protect his property. News of the outlaw’s continual vicious attacks prompted Los Angeles Sheriff Barton to form a posse and set out after the murderers and thieves. Barton had been informed that Flores’ band was some 50 men strong, but he believed the number had been exaggerated by hysterical crime victims. The Sheriff’s underestimation of the strength of Flores’s gang resulted in his death. One of the men that gunned down Barton was Andres Fontes. At last he had his revenge.
General Don Andres Pico, a prominent Los Angeles land owner, ranger and the brother of the last Mexican Governor of California, took charge of forming a posse after the slaughter of Barton and his deputies. Pico pulled together a 51 man army of Mexicans and Americans to go after Flores. Pauma Indian leader, Manuelito Cota in Temecula, joined the General in his efforts. Manuelito recruited 43 Indians for the task. A group of enraged citizens in the San Diego area made up a third posse out to track down Flores. Pauma scouts ventured ahead of the posses to look for clues as to where the bandit might have fled. The location of Flores camp was finally narrowed down to the mountains around El Cariso. With the assistance of one of Flores’s former gang members, Pico’s Californians, as they were known, were able to find the exact location of Flores’s cabin hideout. The Californians attacked the shelter under the light of a full moon. The desperados inside fired on the posse killing or wounding many of their pursuers. Some of the bandits were shot while trying to make a run for their horses, others were captured unharmed and some managed to get away. Juan Flores and Andres Fontes were two who escaped.
Flores and Fontes were lost in the smoke of gunfire and vanished into the tangled mountain thicket. General Pico sent for reinforcements and shortly after his supply of guns, ammunition and men were replenished, he continued the pursuit of the outlaw. On February 1, 1857, a faction of the posse headed by Doctor J. Gentry from Los Angeles, cornered Flores and two of his companions near Santiago Mountain. The bandits shot it out with the posse members, but realizing they were outnumbered they surrendered. Flores and his diminished band of followers were escorted to a nearby ranch were they were placed under guard in a weathered adobe building. The prisoner’s stay was meant to be temporary. Given Flores’s previous success at escaping his captures, the authorities wanted more law enforcement on hand to escort the criminal to the Los Angeles jail.
In spite of the precautions taken, Flores wriggled out of his cuffs and broke out of the crumbling, clay holding cell. Posse member’s tempers flared at the news that Flores had gotten away. General Pico ordered his deputies to immediately put to death the members of Flores’s gang that were arrested with him. Pico then helped enlist more than 120 men to join the manhunt to find Juan Flores. For eleven days, one of the largest posse assembled in the Old West searched the territory along the Los Angeles River between San Juan Capistrano and Temecula.
Almost 24 hours after Flores had escaped he was stopped by two armed sentinels patrolling the grounds at a Simi Valley ranch. He lied about his identity, but his suspicious behavior led the guards to take him to the ranch owner to be questioned further. The land baron recognized the bandit and informed his men that the scoundrel in custody was none other than Juan Flores. Flores was taken to Los Angeles where he was tried and sentenced to death. After his trial ended on February 14, 1857, a hostile crowd surrounded the jail demanding the notorious outlaw be turned over to them. They wanted Flores hung at that moment. On February 21st the criminal was turned over to the enraged mob and they led him to the gallows.
Before the noose was placed around his neck, Flores’s arms and legs were bound and his eyes were covered with a white handkerchief. He whispered a few last words and then the trap door was sprung. He did not die instantly. The fall was shorter than planned and the rope was a bit too long. After a gruesome six minute struggle it was over. Flores was 22 years-old when he died.

An Excerpt From The Young Duke

Shy, thoughtful, overly generous, modest and compassionate – this doesn’t describe the John Wayne most people remember from the very public person he projected in the 1960s and 70s, when his body of work was filled with tough-talking, aggressive, out-for-justice characters. But articles and interviews done with him early in his career suggest John Wayne grew up as a not-so-confident, no-so-outspoken young man.

 

 

He rode into the motion picture realm in 1930 with a purposeful swagger and a hard, no-nonsense manner of speaking that epitomized the American cowboy. When the 23 year-old hard fisted, quick-shooting, daredevil accepted a summer job at Fox Films, three years prior to his first starring role in The Big Trail, he could not have foreseen the impact he would have on the film industry. After five decades in the business the gallant 6’2 actor would brand movie going audiences with an indelible image and would forever be recognized as a sagebrush hero.

Born on May 26, 1907, in Winterset, Iowa he was given the name Marion Michael Morrison. When he was seven his parents left the Midwest and moved to a ranch in the Mojave Desert in California.

 

 

Marion spent a great deal of time outdoors, hiking through the valley and teaching himself to ride one of the two plow horses his father owned. Just as the young boy was adjusting to life in the rural area his folks relocated to Glendale.

According to an interview Wayne did with Motion Picture Magazine in February 1931, his parents were an unhappy couple and had frequent and heated arguments. He avoided the disharmony by staying away from home. A busy young boy, he got a part time job delivering medicines and supplies for the pharmacy where his father worked and joined the Boy Scouts and YMCA.

A bit of a loner, he spent long hours exploring the neighborhood with his Airedale, Duke. The firefighters Marion befriended in the area referred to the boy as Big Duke and the Airedale as Little Duke. The nickname stuck, and his given name Marion, which he had always disliked, was replaced with one more fitting his independent personality.

Duke did extremely well in school and was involved in numerous extra-curricular activities. He was an exceptional football player, class president and a member of the drama club. In addition to his studies and athletic pursuits, Duke kept up with his various part time jobs. One of which was delivering handbills for the Palace Grand Movie Theatre.  When he wasn’t at school or work he was at the Palace.

 

 

Three or four times a week Duke would escape into the world of motion picture cowboys and Indians by watching films starring his idols, Tom Mix and Harry Carey. His appreciation for the actors and the art form grew until he was no longer content to simply enjoy the finished movie. Duke wanted to know how motion pictures were made and decided to venturing onto the lot of a silent-movie studio called the Kalem Motion Picture Company. Many well-known stars of the time like Douglas Fairbanks Jr. and Helen Holmes worked at the studio. Duke was enamored with the process – the actors, set directors, camera operators and stunt performers.

Although young Duke Morrison’s had a keen interest in filmmaking his life’s ambition was to serve in the military. He was bitterly disappointed when his application to the Naval Academy was denied in 1925. A football scholarship to the University of Southern California momentarily shifted his focus off his misfortune. He tackled this new direction with gusto and verve, extensively training for games with Trojan’s coach Howard Jones.

Off of the football field, Duke was a popular student who thrived on the camaraderie of his fellow class and teammates.

 

 

He was handsome, smart and easy to get along with and whether he was attending an event at the fraternity he belonged to, or working at one of the two jobs he had to help pay his living expenses, Duke was happy. The pleasing lifestyle he enjoyed at college was in stark contrast to the tense and distraught existence he had staying with his parents. Their relationship continued to be combative and after more than 20 years of marriage, the pair decided to go their separate ways.

In 1927, at the age of 20, he would be denied another career opportunity. A severe shoulder injury sidelined the college sophomore an eventually cost him a place on the USC team and his scholarship. Once again the tenacious Duke had to make a shift in his pursuit. It was time to see if he could make a living in the movie industry he admired.

During his freshman year in college, cowboy actor Tom Mix had offered Duke a part time job at Fox Films Corporations. He worked in prop department and was considered by many of the top directors at the time to be one of the best “prop boys” in the business. A prop boy’s job was to see to it that every item an actor is required to handle in a scene is available when the director wants it.

 

 

Duke was good at his job because he could anticipate what a director would need and if the item wasn’t available, he would nail, whittle or weld a reasonable facsimile before anyone found out.

Mix felt that Duke had a future in front of the camera as well as behind. “He had shoulders like the Golden Gate bridge and the kind of pale blue eyes you find in a long riding cowboy,” Mix told Fox executives. He had Duke cast as a bit player in a few of his films and on occasion hired him to work as a stuntman. Duke had a natural aptitude for the job and wasn’t afraid to take risks to achieve the effect the directors called for.

A supporting role seemed to fit Duke just fine. He didn’t deliberately strive to be an adored movie star, but if Duke was not pursuing stardom, others saw greater roles in his future.

John Ford was the first to appreciate Duke’s physical courage on the set. During the filming of “Men Without Women” Ford hired Duke to act in the movie and used him as a stunt double as well. The script called for several sailors, trapped in a doomed vessel, to escape their death by being shot out of the torpedo tubes.

 

 

Trained divers were on hand to rescue the actors once they made it to the surface, but still the men playing the sailors refused to take part in the stunt because the conditions of the water off the coast of Catalina were too dangerous. Ford disregarded their warning and prevailed upon Duke to do the stunt. Duke eagerly obliged.

Content to work in the prop department and with no thought of ever being a screen legend, Duke accepted offers to appear in a variety of low budget films. His passion for film acting and stunt work grew and although John Ford had assured Duke his first shot at a starring role, it was director Raoul Walsh who made that happen. Walsh was searching for a tough, good-looking lead for a Western he was making called The Big Trail. Duke had all the qualities necessary for the part, but before the studio would hire him on they insisted he change his name. Fox executives selected a handle they felt sounded rugged and captured the essence of an American cowboy. Duke Morrison, now known as John Wayne, galloped into theatres on October 2, 1930.

The Big Trail was not a huge money maker for the studio, but John Wayne’s performance did not go overlooked.

 

 

Fox Films signed him as a regular contract player and for nine years Wayne twirled six guns, tossed rope, busted broncos and foiled cattle rustlers in a series of low-budget, quickie westerns. During that time he honed his skills as a stuntman, training with one of Hollywood’s finest stuntmen, Yakima Canutt. Canutt was a rodeo champion turned actor who was known for his amazing leaps from and onto horses and wagons. Together the two created a technique that made on-screen fight scenes more realistic.

By the time John Ford offered Wayne the part of John Ringo in the movie Stagecoach, the Duke had made more than 80 films and was one of the top sagebrush heroes of the screen. Stagecoach was released in March 1939 and received glowing reviews. The critics singled out Wayne’s performance, praising him for his fine and memorable work. The film changed the course of Wayne’s career and did the same for westerns as a film genre.

After the success of Stagecoach, the battle-scarred veteran of the B-Western was given the opportunity to make other pictures outside that of horse operas. Instead of searching out a big-budget movie to boost his popularity, Wayne trusted his career to his mentor, John Ford.

 

 

In 1940, he again worked with Ford, this time he played a sailor on a tramp freighter who is drugged and shanghaied in Eugene O’Neill’s dreamy tragedy, The Long Voyage Home. Wayne’s strong performance proved that he had range as an actor and reassured filmmakers that he could handle new roles.

During this time Duke was paired with some of Hollywood’s most compelling leading ladies – Marlene Dietrich, Paulette Goddard and Clair Trevor were among his costars. The on-screen chemistry he shared with those starlets and his versatility made films like Reap the Wild Wind, Dark Command, and A Lady Takes a Chance classics.

From 1943 to 1945, Wayne alternated between appearing in westerns and war epics, forever solidifying his film persona as a stalwart soldier and a champion of the range. His portrayal of Sergeant Stryker in Sands of Iwo Jima earned him an Academy Award nomination and his work in She Wore A Yellow Ribbon was hailed by critics as “spectacular and noble.”

One of the most challenging cowboy roles Wayne ever took on was that of Thomas Dunson in Red River. After seeing the movie, Ford admitted that he had underestimated Duke’s capabilities. He told Daily Variety magazine, “I didn’t know the son-of-a-bitch could act.”

 

 

Ford rewarded Duke’s efforts in Red River with an offer to play the lead in another western. The movie promised to be a wide cut above the average cowboy film, depending on human relationships for its value as well as on the customary chase.

The complex part had the potential of further enhancing Wayne’s career. On the other hand, the near villainous role of Ethan Edwards in The Searchers could threaten his top box office status. Wayne took a chance that the film and his performance would be well received by moviegoers who saw him not only as an actor, but a larger than life hero.

 

The Young Duke: The Early Life of John Wayne is available at bookstores everywhere.

Becoming Duke

An Excerpt From Happy Trails

Hundreds of excited children, with hard-earned nickels and dimes clutched tightly in their fists, exchanged their money for a ticket at Saturday matinees across the country in the 1940s. The chance to see singing cowboy Roy Rogers, his horse, Trigger, and leading lady Dale Evans come up against the West’s most notorious criminals brought young audiences to theatres in droves. And, in the process, it elevated western musicals to one of the most popular film genres in history.

Roy Rogers and Dale Evans were the reigning royalty of B-rated westerns for more than a decade. They helped persuade moviegoers that good always triumphs over evil in a fair fight and that life on the open range was one long, wholesome sing-along. Together, the King of the Cowboys and the Queen of the West appeared in more than 200 films and television programs.

Roy and Dale made their first pictures together in 1994. The film, The Cowboy and the Senorita, brought an estimated 900,000 fans to movie houses in America and began a partnership for the couple that lasted fifty-two years. The chemistry between Roy and Dale was enchanting, and together they were an entertainment powerhouse. In addition to their films, they had popular radio programs, comic book series, albums, and a long list of merchandise (including clothes, boots, and toys), all bearing their names.

Roy and Dale were successful individuals, as well, Dale, a talented singer-songwriter, performed with big band orchestras, shared the stage with Edgar Bergen and Charlie McCarthy, and penned many popular tunes, including the song that would be Roy and Dale’s theme, “Happy Trails.” Roy was a co-founder and member of the group the Sons of the Pioneers. The band made a name for itself singing original country music songs, including “Cool Water” and “Tumblin’ Tumbleweeds.”

Roy Rogers and Dale Evans were married in 1947. As a couple they were consistently ranked in the top ten among the western stars at the box office. They costarred in twenty-nine movies and recorded more than 200 albums together. In 1951, they parlayed their fame to the small screen, appearing in a half-hour television show aptly called The Roy Rogers Show.

When they weren’t working, the western icons spent a great deal of time visiting children in hospitals and orphanages. They were dedicated Christians who sought to serve the hurt and needy. They would later be recognized by national civic organizations for their humanitarian efforts.

Roy and Dale’s off-screen life was filled with a great deal of love and happiness. They had nine children, whom they adored and showered with affection. Their family was no stranger to tragedy though. One child, Robin, died of complications associated with Down syndrome. An adopted daughter, Debbie, died in a church bus accident when she was twelve; their adopted son, Sandy, suffered as accidental death while serving in the military in Germany. Robin’s death inspired Dale to write Angel Unaware, the first of her more than twenty books.

After the couple was semi-retired from the entertainment industry, they greeted fans at the museum in Victorville, California, and enjoyed life with their children, grandchildren, and great-grandchildren. Thousands of western enthusiasts and fans alike now make the pilgrimage to Branson, Missouri, where the Roy Rogers-Dale Evans Museum is currently located. They come to get a glimpse of their heroes’ six-shooters, boots, costumes, and other personal artifacts on display.

The Rogers family’s collection of priceless items elicits fond memories of an inspirational pair who used their immense talent to encourage moral and spiritual strength. The artifacts draw visitors back in time to when knights of the American plains yodeled, wore white hats and fancy boots, and thrived on defeating the outlaws and rescuing the defenseless.

An Excerpt From The Lady Was a Gambler

Kitty LeRoy

The Unfortunate Gambler

“Spirits of the good, the fair and beautiful, guard us through the dreamy hours. Kinder ones, but, perhaps less dutiful, keep the places that once were ours.”

Poetic editorial in memory of the slain Kitty LeRoy from the Black Hills Daily Times – 1883A grim-faced bartender led a pair of sheriff’s deputies up the stairs of Deadwood’s Lone Star Saloon to the two lifeless bodies sprawled on the floor. One of the deceased individuals was a gambler named Kitty LeRoy and the other was her estranged husband, Sam Curley.

The quiet expression on Kitty’s face gave no indication that her death had been a violent one. She was lying on her back with her eyes closed and if not for the bullet hole in her chest, would simply had looked as though she were sleeping. Sam’s dead form was a mass of blood and tissue. He was lying face first with pieces of his skull protruding from a self inflicted gunshot wound. In his right hand he still held the pistol that brought about the tragic scene.

For those townspeople who knew the flamboyant 28 year-old LeRoy, her furious demise did not come as a surprise.

She was voluptuous beauty who used her striking good looks to take advantage of infatuated men who believed her charm and talent surpassed any they’d ever known.

Nothing is known of her early years; where and when she was born, who her parents and siblings were and what she was like as a child. The earliest historical account of the entertainer, card player and sometime soiled dove, lists her as a dancer in Dallas, Texas in 1875. She was a regular performer at Johnny Thompson’s Variety Theatre. She had dark, striking features, brown curly hair and a trim, shapely figure. She dressed in elaborate gypsy-style garments and always wore a pair of spectacular diamond earrings.

Kitty’s nightly performances attracted many cowboys and trail hands. She received standing ovations after every jig and shouts from the audience for an encore. The one thing Kitty was better at than dancing was gambling. She was a savvy faro dealer and poker player. Men fought one another sometimes to death for a chance to sit opposite her and play a game or two.

In early 1876, after becoming romantically involved with a persistent saloon keeper, Kitty decided to leave Texas and travel with her lover to San Francisco.

Their stay in Northern California was brief. Kitty did not find the area to be as exciting as she had heard it had been during the Gold Rush. To earn the thousands she hoped as an entertainer and gambler she needed to be in a place where new gold was being pulled out of the streams and hills. California’s findings were old and nearly played out. Kitty boarded a stage alone and headed for a new gold boom town in the Black Hills of South Dakota.

Deadwood Gulch, South Dakota was teaming with more than six thousand eager prospectors, most of whom spent their hard earnings at the faro tables in saloons. Kitty hired on at the notorious Gem Theatre and danced her way to the same popularity she had experienced in Dallas. Enamored miners competed for her attention, but none seemed to hold her interest. It wasn’t until she met Sam Curley that the thought of spending an extended period of time with another man seemed appealing.

Thirty-five year-old Sam Curley was a cardsharp with a reputation as a peaceful man who felt more at home behind a poker table than anywhere else. Kitty and Sam had a lot in common and their mutual attraction blossomed into a proposal of marriage. On June 10, 1877, the pair exchanged vows at the Gem Theatre on the same stage where Kitty performed.

Unbeknownst to the cheering onlookers and the groom, however, Kitty was already married. Her first husband lived in Bay City, Michigan with her son who was born in 1872. Bored with the trappings of a traditional home life, Kitty abandoned the pair to travel the west.

When Sam learned that he was married to a bigamist he was upset and the pair quarreled. He was not only dissatisfied with his marital status, but he was fiercely unhappy with the law enforcement in the rough town. He didn’t like Sheriff Seth Bullock’s “strong arm tactics” and within six months after marrying Kitty he left Deadwood Gulch for Colorado.

Perhaps she was distraught over the abrupt departure of her current husband, but Kitty’s congenial personality suddenly turned cold and unfriendly. She was distrusting of patrons and began carrying six-shooters in her skirt pockets and a Bowie knife in the folds of the deep curls of her hair. She moved from Deadwood Gulch to Central City where she ran a saloon. Because she was always heavily armed she was able to keep the wild residents who frequented her establishment under control.

Restless and unable to get beyond Sam’s absence, Kitty returned to Deadwood and opened a combination brothel and gambling parlor.

She called her place The Mint and enticed many miners to her faro table where she quickly relieved them of their gold dust. On one particularly profitable evening she raked in more than 8 thousand dollars. A braggadocios, German industrialist had challenged her to a game and lost. The debate continues among historians as to whether Kitty cheated her way to the expensive win. Most believe she was a less-than-honest dealer.

Kitty’s profession and seductive manner of dress sparked rumors that she had had many lovers and had been married five times. Kitty never denied the rumors and even added to them by boasting that she had been courted by hundreds of eligible bachelors and “lost track of the numbers of times men had proposed” to her. Because she carried a variety of weapons on her at all times, rumors also abounded about she had shot or stabbed more than a dozens gamblers for cheating at cards. She never denied those tales either.

By the fall of 1877, the torch Kitty carried for Sam was temporarily extinguished by a former lover. The two spent many nights at the Lone Star Saloon and eventually moved in together.

News of Kitty’s romantic involvement reached a miserable Sam who had established a faro game at a posh saloon in Cheyenne, Wyoming. Sam was furious about being replaced and immediately purchased a ticket back to Deadwood. Hoping to catch Kitty alone with her lover, he disguised his looks and changed his name.

When Sam arrived in town on December 6, 1877, he couldn’t bring himself to face the pair in person. He sent a message to Kitty’s paramour to meet with him instead, but the man refused. In a fit of rage Sam told one of the Lone Star Saloon employees that he intended to kill his unfaithful wife and then himself.

Frustrated and desperate, Sam sent a note to Kitty pleading with her to meet him at the Lone Star Saloon. She reluctantly agreed. Not long after Kitty ascended the stairs of the tavern, patrons heard her scream followed by the sound of two gunshots.

A reporter for the Black Hills Daily Times visited the scene of the murder-suicide the morning after the event occurred. “The bodies were dressed and lying side by side in the room of death,” he later wrote in an article for the newspaper.

“Suspended upon the wall, a pretty picture of Kitty, taken when the bloom and vigor of youth gazed down upon the tenements of clay, as if to enable the visitor to contrast a happy past with a most wretched present. The pool of blood rested upon the floor; blood stains were upon the door and walls…. The cause of the tragedy may be summed up in a few words; aye, in one “jealousy.”

A simple funeral was held for the pair at the same location where they had met their end. Although they were placed in separate pine caskets they were buried in the same grave at the Ingleside Cemetery. According to the January 7, 1878 edition of the Black Hills Daily Times, Kitty had “drawn a holographic will in ink on the day prior to her death.” Her estate amounted to $650 dollars. A portion of the funds were used to pay for the service, burial and tombstone.

It seems that Kitty LeRoy and Sam Curley’s spirits would not rest after they were lowered into their shared grave. A month after the pair had departed from his world their ghosts were reportedly haunting the Lone Star Saloon. Patrons claim the phantoms appeared to “recline in a loving embraces and finally melt away in the shadows of the night.”

The editor of the Black Hills Daily Times pursued the story of the “disembodied spirits” and after investigating the disturbances, wrote an article on the subject that was printed on February 28, 1878.

“The Lone Star building gained its first notoriety from the suicide, by poisoning, of a woman of ill repute last spring. The house was subsequently rented by Hattie Donnelly, and for a time all went smoothly, with the exception of such little sounds and disturbances as are incident to such places. About the first of December the house was rented by Kitty LeRoy, a woman said to be well connected and possessed of intelligence far beyond her class. Kitty was a woman well known to the reporter, and whatever might have been her life here, it is not necessary to display her virtues or her vices, as we deal simply with information gleaned from hearsay and observation. With the above facts before the reader we simply give the following, as it appeared to us, and leave the reader to draw their own conclusions as to the phenomena witnessed by ourselves and many others. It is an oft repeated tale, but one which in this case is lent more than ordinary interest by the tragic events surrounding the actors.

To tell our tale briefly and simply, is to repeat a story old and well known – the reappearance, in spirit form, of departed humanity. In this case it is the shadow of a woman, comely, if not beautiful, and always following her footsteps, the tread and form of the man who was the cause of their double death. In the still watches of the night, the double phantoms are seen to tread the stairs where once they reclined in the flesh and linger o’er places where once they reclined in loving embrace, and finally to melt away in the shadows of the night as peacefully as their bodies’ souls seem to have done when the fatal bullets brought death and the grave to each.

Whatever may have been the vices and virtues of the ill-starred and ill-mated couple, we trust their spirits may find a happier camping ground than the hills and gulches of the Black Hills, and that tho’ infelicity reigned with them here happiness may blossom in a fairer climate.”

The bodies of Kitty LeRoy and Sam Curley were eventually moved to the mountain top cemetery of Mount Moriah in Deadwood and their burial spot left unidentified.

An Excerpt From Buffalo Gals

Lucille Mulhall, Cowgirl

A pair of large, mean steers burst out of the gate and raced onto the parade field. Eighteen-year-old Lucille Mulhall bolted after the beasts atop her trained horse, Governor. The beautiful blond with petite features and blue-gray eyes quickly tossed the lasso she was twirling and snagged one of the animals around its neck. The steer jerked to a stop as Governor planted his feet firmly on the ground. Lucille leapt at the steer with another rope and began to tie its feet together. In thirty seconds she had completed the task, breaking the steer-roping record at the rodeo grounds in Denison, Texas.

On a hot September day in 1903, Lucille won the Grayson County Fair’s roping contest, beating out two of the top cowboys in the county in the process. She was awarded a pendant of gold with a raised star in which was imbedded a diamond. In the center of the pendant was a steer-roping scene set in blue enamel. It was a prize she wore with pride for the rest of her career.

Lucille Mulhall was destined to be a cowgirl. Her father, Zack Mulhall, had her on the back of a horse before she could walk.

She was born on October 21, 1885, and raised on her family’s 80,000-acre ranch near Guthrie, Oklahoma. At an early age she showed a talent for horse riding. She was a natural in the saddle, at training horses, roping, branding cattle, and all the other chores associated with ranch hands. History records that she was extremely bright and could have gone on to be a teacher, but she preferred cowboying, and with her father’s help, she made it her life’s work.

After a successful roping-and-riding contest in 1899, Zack decided this form of entertainment had massive monetary potential. He put together a group of horseback performers and called them Mulhall’s Congress of Rough Riders and Ropers. Lucille was a part of the group and began her career at a riding exhibition in Oklahoma City. She was fourteen years old. Lucille and her horse captivated audiences with their speed and precision. In less than a year, she was the best-known cowgirl performer in the West.

In 1902 Lucille had an accident that would have caused any professional rider to give up the sport. It happened during a relay race in St. Louis when she was dismounting a bronco. She was struck by the pony of one of the other cowboys in the show and the muscles and tendons of her ankle were torn away and the limb badly bruised. She finished the tour with her leg in a cast.

Throughout the course of her lifetime Lucille had many suitors, but her allegiance was to her father and the rodeo show first. Zack often ran interference between his daughter and the young men interested in courting her. He was protective of Lucille and didn’t want her settling down too soon.

Her busy schedule kept her mind off matters of the heart. She performed at such prestigious venues as Madison Square Garden, the World’s Fair in St. Louis, and in Washington, D.C.. Among the celebrated people she rode with were movie star Tom Mix and Apache Indian Chief Geronimo.

In 1906 Mulhall’s Congress of Rough Riders and Ropers disbanded. Lucille returned to the family ranch for awhile, but she was soon lured back into show business by her father when an offer came for her to join a vaudeville review. Her new show was billed as “Lucille Mulhall and Her Ranch Boys.” Theatres had to be adapted to accommodate the show. A unique portable fence designed to hang from the fly loft and fasten between the stage and the orchestra pit was installed at each venue. Several inches of dirt had to be spread out over the stage floor.

Lucille’s rodeo career spanned more than 30 years. The loss of her parents in 1932, her declining health, and the depletion of the resources of the family ranch due to the Great Depression, forced her into retirement.

Brokenhearted and living in poverty, she turned to alcohol for solace. By the spring of 1935, she had pulled herself together and accepted an offer from her hometown of Guthrie, Oklahoma, to lead its annual Frontier Celebration Day parade. Encouraged by the crowd’s response to her parade appearance, Lucille agreed to join her brother’s Wild West show. Now fifty years old, she participated only in special acts and didn’t take part in the rodeos as a contestant.

On December 21, 1940, Lucille was on her way back to the family ranch when a truck broadsided the car she was riding in, killing her instantly. She was laid to rest alongside her parents in Guthrie.

Will Rogers was among the talent that initially performed with Mulhall’s Congress of Rough Riders. He and Lucille became good friends and he was quite taken with her horseback-riding ability. “Lucille was just a kid when we began working together,” he wrote. “She was riding her pony all over the place…it was the direct start of what has since come to be known as the Cowgirl.”

An Excerpt From How the West Was Worn

Legendary Trendsetter

Amelia Bloomer

The daughter of Dr.Hanson, of this city, appeared in the bloomer suit at a convention last week. It was scandalous.

The Sacramento Bee, California, May 26, 1861

Amelia Jenks Bloomer was a newspaper editor, public speaker, and a proponent of women’s rights and other social reform. She did not design the then-daring outfit that carries her name – a short dress that reaches below the knees with frilled Turkish-style trousers gathered in ruffles at the ankles. She did promote the costume, wore it herself, and watched it become a symbol of the fledgling women’s movement.

Journalists in San Francisco were fascinated with the look. One reporter described the outfit he noticed on an attractive woman as a “green merino fitted over garment complete with loose, flowing trousers of pink satin, fastened at the ankle.” His story included news that a dress shop owner on Clay Street not only had the bloomers on display in her window but was wearing them herself.

In yet another sighting, the city was taken quite by surprise yesterday afternoon by observing a woman in company with her male companion, crossing the lower side of the Plaza dressed in a style a little beyond the Bloomer. She was magnificently arrayed in a black, satin skirt very short, with flowing red satin trousers, a splendid yellow crepe shawl and a silk turban a la Turque. She really looked magnificent and was followed by a large retinue of men and boys, who appeared to be highly pleased with the style.

Daily Alta California, September 1853

Read more about the fashions of the Old West and legendary trendsetters in  How the West Was Worn: Buckskins on the Wild Frontier.

An Excerpt From Pistol Packin’ Madams

Tessie Wall
Barbary Coast Madam

Madam Tessie Wall’s invitation to officers at the annual Policeman’s Ball after laying a $1,000 bill on the bar – 1913

A parade of horse drawn carriages deposited fashionably dressed San Francisco citizens at the entrance of the Tivoli Theatre. A handsome couple holding hands and cooing as young lovers do, emerged from one of the vehicles. A figure across the street, hidden in the shadows of an alleyway, eyed the pair intently. Once the couple entered the building Tessie Wall stepped out of the darkness into the subdued light of a row of gas lamps lining the busy thoroughfare. Tears streamed down the svelte, blonde’s face. The pain of seeing the man she loved with another woman was unbearable.

Several hours before, Tessie and her ex-husband, Frank Daroux entertained passerbys with a robust argument over the other woman in his life. After accusing the man of being a liar and a thief, Tessie begged him for another chance and promised to make him forget anyone else he was involved with.

 

Frank angrily warned Tessie that if she started anything he would put her “so far away that no one would find her.”

The words he had said to her played over and over again in her head. “You’ve got my husband,” she mumbled to herself. “And you’ll get yours someday. It’s not right.” She chocked back a torrent of tears, reached into her handbag and removed a silver-plated revolver. Hiding the weapon in the folds of her dress, she stepped back into the dark alleyway and waited.

It wasn’t long until Frank walked out of the theatre, alone. Standing on the steps of the building, he lit up a cigar and cast a glance into the night sky. Preoccupied with view of the stars, Frank did not see Tessie hurry across the street and race over to him. Before he realized what was happening, Tessie pointed the gun at his chest and fired. As Frank fell backwards he grabbed hold of the rim of a nearby stage. Tessie unloaded two more shots into his upper body. Frank collapsed in a bloody heap.

Tessie stood over his near lifeless frame, sobbing. When the police arrived she was kneeling beside Frank, the gun still clutched in her hand. When asked why she opened fire on him she wailed, “I shot him, cause I love him, God-damn him!”

 

 

Tessie Wall was one of the Barbary Coast’s most popular madams. Since entering the business in 1898 her life had been mired in controversy. Born on May 26, 1869, she was one of ten children. Her mother, who died when she was forty-four, named her chubby, ash-blond daughter Teresa Susan Donahue. Her father, Eugene was a dock worker and spent a considerable amount of time away from home. Teresa and her brothers and sisters took care of themselves.

By the time she turned thirteen, Teresa, or Tessie as she was referred to by friends and family, had developed into a beautiful, curvaceous young woman. She turned heads everywhere she went in the Mission District where she lived.

In 1884, Tessie accepted a marriage proposal from Edward M. Wall, a handsome fireman twice her age. Edward was a heavy drinker and was often out of work because of his “weakness.” Tessie supported them with her job as a housekeeper. Two years after the pair married they had a son. Joseph Lawrence Wall’s life was short. He died four months after his birth from repiratory complications. Tessie was devastated and following her husband’s example, took up drinking to dull the pain.

Joseph’s death had an adverse effect on Edward and Tessie’s relationship. Both blamed the other for their loss. The Wall’s marriage ended in bitter divorce.

 

Historians believe heartbreak over her child’s death and subsequent demise of her marriage contributed to Tessie’s decision to enter into a life of prostitution.

Before venturing out on her own, Tessie continued to keep house for some of San Francisco’s most prominent citizens. While in their employ, Tessie learned about the unconventional desires and habits many of the elite society members possessed. After learning how much money they were willing to pay for their debauchery, she decided to go into business for herself. In 1898, she purchased a brothel and hired a stable of beautiful young ladies to work for her.

In two years time Tessie’s “lodging house” had become so successful that she was able to open a second brothel.

Tessie Walls’s bordello was visited by some of the wealthiest business men and politicians in the state. Upon entering her business clients were greeted by elegantly dressed women offering them wine and champagne. The home itself was equally inviting and posh. It was furnished with antiques, plush red-velvet sofas and armchairs and a large gold fireplace. The draperies and bedroom furniture was just as ornate. She had a giant, gold Napoleon bed decorated with swans and cupids. The dresser and matching mirror was gilded in gold.

 

 

Madam Wall’s parlor house was recognized as one of the best in the city. Tessie herself would spend time with her guests before they left with a lady of their choosing. She listened intently to their stories about life and work and would laugh uproariously at their jokes. Patrons were so captivated by the charms of their host that they often admitted that when they sat down in the parlor and started talking to Tessie they often forgot what they came for.

Tessie Wall knew the importance of advertisement. The method she used to promote her house was unconventional, but effective. She would clothe her girls in the latest garments from Paris and New York and send them out on the street for all to admire. Every Saturday afternoon Tessie’s girls would hold a parade on Market Street. Everyone in the neighborhood would come out to see the new fashions being worn by the demimonde.

Once other madams saw how popular the parades were they launched their own exhibitions. It wasn’t uncommon on weekends to see numerous women marching on opposite sides of the thoroughfare modeling the latest styles. Parlor houses with the best showing reaped the benefits in the evening. Due in large part to Tessie’s welcoming personality and the voluptuous ladies that worked for her, Tessie’s brothel was usually the one that did the most business.

 

Madam Wall’s parlor house yielded a sizeable profit, but the opportunities the income afforded her and the conversation she enjoyed with an array of customers, couldn’t keep her from thinking about her son. During those melancholy moments she would once again turn to alcohol. By this point in her life Tessie was able consumed enormous quantities of wine and drink most men under the table. Often times she challenged beer drinkers to champagne drinking contests. The famous boxer John L. Sullivan was one such participant. Sullivan was unaccustomed to the effects of champagne and after twenty-one drinks he passed out. Still standing after twenty-two drinks, Tessie won the contest and was forever referred to as “the woman who licked John L. Sullivan.”

The life and business Madam Wall had built for herself was almost destroyed by the great fire of 1906. A massive earthquake rocked San Francisco on August 1, causing electric lights to fall, spark and set fire to buildings and homes along Market Street. The blaze spread throughout the city reducing multiple structures to ash.

Despite her best efforts Tessie’s parlor house did not survive the inferno. The only item she managed to save was the gold fireplace. When she rebuilt the brothel a year later the resilient item was put back in place.

 

It became the focal point of the house and the subject of much conversation for years to come.

The new parlor house was just as popular as before, but competition from new rival houses had heightened. Jessie Hayman, the madam from a high-class establishment near Tessie’s, had attracted many clients and the business continued to grow daily. Madam Wall was forced to come up with fresh ways to promote her house.

In addition to the weekly parades of her employees dressed in their finest, Tessie decided to show off her staff at music halls and theatres. Every Sunday evening Tessie and her ladies would attend a vaudeville performance at the Orpheum Theatre. She purposely arrived late so all eyes would be focused on her beauties as they made their way to their seats.

The stunt drastically increased nightly business. When Jessie Hayman learned what Tessie was doing she began taking her ladies to the theatre too. On Sunday nights the two madams would try and best each other with grand entrances that seemed to upstage the performers. Determined not to be out done, Tessie decided to keep her girls from attending a couple of shows. The spectacle of their arrival always generated a lot of attention and she hoped their absence would do the same.

 

The empty seats did peak the public’s interest and just as the conversation about where they were died down, Tessie and her ladies returned. As the lights dimmed, the curtain went up, the music started and Madam Wall and her girls made their way down the aisle. As though on cue, the show suddenly stopped, the house lights were turned up again and all eyes were on Tessie and her ladies.

For every public attempt to increase business there were private deals being made to do the same. It was not uncommon for hotel clerks, bell boys, head waiters, chefs at restaurants and cabbies to be paid handsome sums to direct wealthy men to the finer parlor houses. Such help was generally worth ten percent of the amount earned from that customer.

Over her long career Tessie made friends with several well known figures. One such man was politician Milton Latham who would later become the Governor of the state. At the time of their meeting he was a struggling architect. Tessie was struggling herself. A public outcry against houses like hers from moral citizens prompted city officials to place restrictions on a madam’s ability to add more rooms to their business. Construction on new houses of ill repute were also restricted.

 

In spite of the limitations Latham wanted to build Tessie a new bordello. Madam Wall laughed at the thought and reminded him of the police blockade on houses like hers. “It’s so strict right now,” she told Latham, “that I can’t even put out red lights or hang red shades.” After Latham managed to convince Tessie that it was doable and his offer was sincere, she agreed to try and acquire a building permit. To her surprise she was granted one.

Latham built an exquisite home in the city’s Tenderloin district. The three story, terra-cotta structure had twelve suites, a large kitchen and dining room, a saloon, three parlors and a ballroom. An average of fourteen women lived and worked at the house. Some came to the ornate business from as far away as France. The majority of Madam Wall’s highly sought after employees were young and blonde. A thirty something brunette known as Black Gladys garnered the most attention at the home.

Madam Wall’s parlor house on 337 O’Farrell Street was a popular stop for college men and young entrepreneurs. Tessie’s clients could pay for the services of her ladies by cash or credit and did not normally spend the night. If gentlemen did stay overnight however, they were sent on their way only after their clothes were pressed and they were served a full breakfast.

 

Among the many repeat customers at Tessie’s establishment was Frank Daroux. Frank was a gambler and politician. He held a high ranking position within the Republican Party and had a weakness for brothels. One evening in 1909, he wandered into Tessie’s place and was instantly captivated by the flamboyant madam. She was equally charmed by him. Frank invited Tessie to dinner and the two laughed and conversed through an elaborate meal.

The evening left a lasting impression on Frank, not merely because the company was stimulating, but because Tessie drank a considerable amount of wine. In addition to the fine French food the pair was served in a private dining room, Tessie enjoyed twenty bottles of champagne and never left the table.

Tessie was attracted to Frank for a variety of reasons. He resembled Napoleon, a man she thought was devilishly handsome. He was cleaver, smart and well respected in the community. It was that kind of respectability that Tessie longed for. After a whirlwind courtship and significant persuasion on her part, the pair were married.

Frank felt his career in politics would suffer if it was widely known he married a madam so he insisted the wedding take place out of town and then be kept a secret.

 

Tessie reluctantly agreed to his terms, but made him promise she could host a party to celebrate their commitment to one another. One hundred guests attended the grand affair. They were treated to a delicious feast and eighty cases of champagne.

The Daroux’s marriage was rocky from the start. Preoccupied with his public image, Frank demanded Tessie remove herself as madam and run the business in a more covert manner. Tessie agreed hoping the action would also allow the two to spend more time together. Frank, however, often left his new wife alone while he oversaw the activities at various gambling houses he owned. When he was home neighbors would overhear the pair loudly arguing in the early hours of the morning.

The difficulties between the two worsened when a new mayor and city council, bent on reform, was elected to office. The conservative public servants wanted to stamp out gambling and prostitution in San Francisco. Once the Daroux’s livelihoods were threatened they turned on one another.

In an effort to convince politicians that his business practices and personal life were respectable, Frank removed himself even further from his bride.

 

He befriended the new elected officials, convincing them that profits earned from his establishment could financially benefit themselves and the city. He attended posh social engagements and rallies unaccompanied by Madam Wall.

The more powerful Frank became politically, the more he tried to persuade Tessie to sell the parlor house. He reasoned that if she got out of the business it would ultimately make him look better once news of their marriage became common knowledge. As further enticement to give up the parlor house, Frank purchased a home for Tessie in the country. The gesture did not bring about the desired result. Tessie refused to leave the bustle of the city. “I’d rather be an electric light pole on Powell Street,” she told her husband, “than own all the land in the sticks.”

No matter how much she might have questioned the wisdom of marrying a man who did not accept her as she was, Tessie’s dreams of being embraced socially by San Francisco’s elite never wavered. She longed to be invited to chic affairs where important and well respected guests appeared.

By the spring of 1911, she had managed to wrangle an invitation to the Greenway Cotillion, a dinner and dance held to honor the city’s founding fathers.

 

The invitation, for Madam Wall and twelve of her girls, was procured by a politician and regular guest of the parlor house and came with a stipulation. If the ladies chose to attend their identities had to be disguised by champagne bottle costumes they would be required to wear. Tessie agreed.

Her appearance at the cotillion, even if it was disguised, impelled an unnamed socialite to invite Madam Wall to the annual Mardi Gras Ball. Wearing tails and a top hat, Frank attended the gala with his wife. Tessie’s dress was tasteful and understated. She was disappointed, but not surprised that her name was not listed in the local newspaper as one of the Mardi Gras attendees. She remedied the omission by reporting the loss of an expensive diamond broach at the location of the ball. The report was followed by a lost and found article placed in the San Francisco Examiner. Everyone who read the newspaper that day knew the notorious O’Farrell Street madam had been at the Mardi Gras Ball.

Having managed to get herself on the guest list for many more engagements, Tessie was able to convince Frank that she was no longer political poison and was now worthy of a church wedding. Frank consented to a public ceremony, but was adamant about Tessie retiring from the business.

 

This time she acquiesced and transferred the management of the house to one of her employees. Given the magnitude of the sacrifice, Tessie expected Frank to do something for her. At her request he promised to make all the arrangements for the reception and agreed to her guest list, choice of music and location.

Once a priest who would marry them was secured a wedding date was set. Nearly two years from the date Frank and Tessie were initially married, the two renewed their vows. The second ceremony was held in the rectory of St. Mary’s Cathedral.

Within hours of the nuptials the Darouxs were exchanging insults. Frank had disregarded all of Tessie’s requests for the reception and she verbalized her irritation in a toast where she announced that she was returning to her parlor house business as quickly as she could. Towards the end of the evening the pair had once again reconciled. Frank took that opportunity of brief calm to present his wife with a wedding gift. News of the expensive gesture of affection made the papers the following day.

“$10,000 Pearl Necklace Wedding Gift to Bride/Frank Daroux Marries Miss Theresa Donahue.”

The San Francisco Chronicle – July 12, 1911

 

After a brief honeymoon, Frank and Tessie returned to the lives they had made for themselves. Frank kept active in politics and oversaw business at his gambling dens. Tessie focused on her brothel. Religious groups staunchly opposed to parlor houses began a crusade to drive them out of business. Madam Wall’s place was a prime target. Frank did nothing to stop the powers-that-be from threatening her livelihood. But that was the least of her problems. Unbeknownst to Tessie, her husband was betraying her in a more profound way.

The Daroux’s relationship had always been a volatile one. They never shied away from quarreling in public. Frank grew tired of the embarrassing outbursts and was frustrated with the way it was diminishing his influence on key political figures. His attention eventually turned to a less combative woman he met at a fund raiser. In 1915, the two began having an affair. Tessie found the pair out and vowed to kill the woman if she came near her husband again. Frank stayed in the marriage another two years before walking out on Tessie and filing for divorce.

Like all of the other disagreements Tessie and Frank had in their eight years of marriage, the fight over how their union would end was made public as well.

 

Tessie made it clear to all who would listen that she did not want to lose Frank and she contested the divorce numerous times. After a long and vicious court battle the marriage was finally dissolved.

Tessie returned to her house to nurse her wounds. Her heart was broken. She couldn’t accept that Frank was officially out of her life. In a desperate attempt to win him back she secretly followed him around, waiting for a chance to speak with him and convince him to return to her.

The evening Frank was shot the two had quarreled over Tessie’s threat to appeal the divorce. Frank warned his ex-wife that he’d “break her” if she went through with the action. He hurled a string of obscenities at her as he turned and walked away. She heard from a friend that Frank and his mistress were going to attend the theatre that evening and she decided to confront the two there.

“Then I didn’t know what I did,” Tessie explained to the police after the shooting. When asked about the gun Tessie told authorities that she bought it because of the other woman. “That woman took my husband away from me,” she cried. “For three or four years she has been going with him. It made me mad.” Tessie pleaded with police to take her to the hospital where Frank was so she could see him.

 

As they transported the sobbing madam to the sanitarium, she professed her undying love for her “darling husband.”

Frank was conscious when Tessie entered the emergency room. The three bullets she had emptied into his upper torso had missed his vital organs. Doctors expected him to make a full recovery. The police escorted Tessie to his bedside and asked Frank if she was the one who shot him. “Yes, she shot me,” he responded. “Take her away. I don’t want to see her.” According to the San Francisco Chronicle, “Tessie Daroux lifted her handkerchief to her face in a gesture of horror and reeled back into the arms of the officer.”

Madam Wall was booked on a charge of intent to kill and held without bail for three months. Bail was finally granted when Frank was given a clean bill of health. In a move that surprised everyone, Frank announced to authorities that he had made a decision not to press charges on Tessie. She took the news as a sign of his continued affection for her and filed an appeal on the divorce. Frank had hoped the incident and his willingness not to prosecute would drive Tessie away. Once he found out that she was appealing the divorce he changed his mind about pressing charges.

?

 

The shooting and subsequent court activity was front page news. The scandal reeked havoc on Frank’s political future. His peers informed him that he was a liability and suggested relocating. Frank agreed, reversed his decision again about having Tessie prosecuted and made arrangements to marry his mistress.

Days before Frank was to marry the other woman. Madam Wall again took gun in hand. This time she set out to kill her rival. When she found her eating lunch at a popular restaurant, Tessie shot through the glass window at the future Mrs. Daroux. Her aim was poor and the woman was not hit. Tessie was arrested and while she was being held, Frank remarried. With the stipulation that Tessie not be released until they left town, Mr. And Mrs. Daroux agreed not to press charges. Frank and his bride then moved to the east coast.

Madam Wall went back to her parlor house, boxed up all of the busts and painting she had of Napoleon and stored them away. She never fully retired from the trade and remained a controversial figure throughout the duration of her life.

On the morning of April 28, 1932, Tessie pulled an impacted tooth that had been bothering her. That evening she died of a hemorrhage following the extraction.

 

Newspapers marked her passing with an obituary Tessie had preapproved.

“One more bit of “the San Francisco that was” has drifted off in that uncharted Sargossa that holds the old Barbary Coast, the Poodle Dog, the Silver Dollar, the Bank Exchange, the Mason Street Tenderloin and those other gay haunts that made San Francisco famous through the Seven Seas.”

The San Francisco Chronicle – April 30, 1932

Mrs. Teresa Susan Wall Daroux was 63 years-old.

“Drink that up, boys! Have a drink on Tessie Wall!”