Jobs & Frogs

 

 

Aside from gravity and how good it feels to put a Q-tip too far into your ear, nothing quite unites mankind like the fact that at one time or another, just about all of us have had a lousy job. I don’t know, maybe you still have that lousy job. There are many days, and this one is no exception, when I feel I made a serious vocational error. Of course, it’s not as bad as the singing telegram job I had while I was in college.

The company was called Bananagrams Singing Telegrams. The signature costume was, you guessed it, a banana. I spent more than a year driving around various parts of Tucson, Arizona, dressed as a banana, a mermaid, a monkey, and a chicken. I was running behind one late afternoon when I got to the singing telegram business and was quickly thrown into a frog costume. The costume was a skin-tight number which required you have only the bare essentials under the garment. The foam head of the costume was massive but the eyeholes were positioned perfectly for me to see to drive my pickup. What I hadn’t considered was how I was going to drive the vehicle with webbed hands and feet. Only a twenty-something would bypass such particulars.

As soon the manager of the company helped me into the frog costume, she left. I was alone outside a strip-mall trying to master the art of shoving a dozen helium-filled balloons into the cab of my truck. I had the colorful balloon bouquet positioned just so in the seat, had managed to weigh them down with my purse, and was holding them out of the way so I could close the door when I realized the keys to the vehicle were lying on the dashboard. I stuck my webbed hand in the door but it was too late. The locked door closed on the webbed hand and I couldn’t get it out. No amount of tugging at the web would dislodge it. The skin-tight suit zipped in the back and stopped in the middle of the giant foam head. I couldn’t reach it and, even if I could, I had only the bare essentials on underneath so…

After wrestling for more than fifteen minutes to free the arm of the frog costume from the door, I decided to try and flag down a passerby. I started waving at cars speeding along the thoroughfare, but they thought I was an advertisement and honked and waved back at me as they continued on their way. At long last, a family stopped to see what was going on. Their little dog went crazy at the sight of a giant frog, but they did manage to help get me free.

My grandfather always used to say, “Chris,” and about five minutes later, I’d say, “Yes, Grandpa?” And then he’d say, “Chris, always do something you love, and you’ll never work a day in your life.” Of course, my grandfather worked at an ammunition packing plant and he was extremely sarcastic, but it’s a cute story.

One of the best jobs I had in my life was working at the Old Tucson Movie Studio. I started out as a saloon girl and graduated to stunt person. If I wasn’t on the south side of sixty and had the patience now to deal with rage inducing park guests, I’d want to give it another try. I should just stick with writing and hope for a better tomorrow.

Margaret Dumont’s Day at the Races

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Margaret Dumont as Mrs. Upjohn raves about Groucho Marx as Dr. Hackenbush in the film A Day at the Races.

“I’m going to someone who understands me, I’m going to Dr. Hackenbush! Why, I didn’t know there was a thing the matter with me until I met him.

And later, when being asked about his medical credentials…

Dr. Hackenbush: Oh, well, uh, to begin with I took four years at Vassar.

Mrs. Upjohn: Vassar? But that’s a girl’s college

Dr. Hackenbush: I found that out the third year. I’d be there yet, but I went out for the swimming team.

 

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Cowboy True #16 on Amazon Bestseller List

Christmas can be found in the most unlikely places.

 

A big-hearted ranch hand helps a family in need, and just when he thinks he’s missed Christmas, he discovers the holiday magic was in his acts of kindness all along.

Cowboy True’s Christmas Adventure is currently ranked #16 in Children’s Western American Historical Fiction on Amazon.

Pick up a copy of Cowboy True for the holidays. Available everywhere books are sold, at Amazon.com and Barnes & Noble. Com.

More Maggie in Duck Soup Banter

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Rufus T. Firefly: All I can offer you is a roofus over your head.

Mrs. Teasdale: Your Excellency, I really don’t know what to say.

Rufus T. Firefly: I wouldn’t know what to say either if I was in your place. Maybe you can suggest something.

On October 20, 1882, future actress Margaret Dumont was born in Brooklyn, New York. Her mother was an entertainer who taught music, her father was a sea captain, and stepfather a set decorator for Broadway productions. She was forty-seven when she made her first movie with the Marx Brothers. Tall and regal in bearing, her character provided the perfect foil to wisecracking Groucho Marx.

Almost alone among the wooden heroines and third-rate bit players who peopled the Marx Brothers’ films with victims, she radiated a memorable vulnerability and eternally renewable faith in the chance of sanity in a lunatic world. In doing so she shared their immortality.

 

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Straight Lady: The Life and Times of Margaret Dumont, “The Fifth Marx Brother”

Margaret in Duck Soup

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Straight Lady: The Life and Times of Margaret Dumont, “The Fifth Marx Brother”

 

 

On October 20, 1882, future actress Margaret Dumont was born in Brooklyn, New York. Her mother was an entertainer who taught music, her father was a sea captain, and stepfather a set decorator for Broadway productions. She was forty-seven when she made her first movie with the Marx Brothers. Tall and regal in bearing, her character provided the perfect foil to wisecracking Groucho Marx.

Almost alone among the wooden heroines and third-rate bit players who peopled the Marx Brothers’ films with victims, she radiated a memorable vulnerability and eternally renewable faith in the chance of sanity in a lunatic world. In doing so she shared their immortality.

Here’s another love scene between Groucho as Rufus Firefly and Margaret Dumont as Gloria Teasdale from the film Duck Soup.

Firefly: Here are the plans of war. They’re as valuable as your life, and that putting ‘em pretty cheap. Watch them like a cat watches her kittens. Have you ever had kittens? No, of course not. You’re too busy running around playing bridge. Can’t you see what I’m trying to tell you? I love you. Why don’t you marry men?

Mrs. T: Why, marry you?

Firefly:  You take me and I’ll take a vacation. I’ll need a vacation if we’re going to get married. Married!

Mrs. T.: Rufus, what are you thinking of?

Firefly: Oh, I was just thinking of all the years I wasted collecting stamps. Oh, uh, I suppose you’ll think me a sentimental old fluff, but, uh, would you mind giving me a lock of your hair?

Mrs. T.: A lock of my hair? Why, I had no idea.

Firefly: I’m letting you off easy. I was going to ask for the whole wig.

 

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To learn more about the talented actress and her life on and off screen with the comedy team read Straight Lady: The Life and Times of Margaret Dumont, “The Fifth Marx Brother.”

 

 

 

Dumont’s Night at the Opera

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Critics praised Margaret Dumont’s performance in A Night at the Opera released in November 1935. The Los Angeles Times noted that “Dumont is poised, dignified, and the perfect foil for the Marx Brothers. She’s is the best dramatic balance for their comedy in every way.” The following is a sample of her banter with Groucho Marx from A Night at the Opera.

Mrs. Claypool: Mr. Driftwood, three months ago you promised to put me into society. In all that time, you’ve done nothing but draw a very handsome salary.

Driftwood: You think that’s nothing, huh? How many men do you suppose are drawing a handsome salary nowadays? Why, you can count them on the fingers of one hand, my good woman.

Mrs. Claypool: I’m not your good woman!

Driftwood: Don’t say that, Mrs. Claypool. I don’t care what your past has been. To me, you’ll always be my good woman. Because I love you. There. I didn’t mean to tell you, but you…you dragged it out of me. I love you.

Mrs. Claypool: It’s rather difficult to believe that when I find you dining with another woman.

Driftwood: That woman? Do you know why I sat with her? Because she reminded me of you.

 

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To learn more about the talented actress and her life on and off screen with the comedy team read Straight Lady:

The Life and Times of Margaret Dumont, “The Fifth Marx Brother”

All the World Loves a Straight Lady

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Harpo wrestled with her. Groucho threw her for a ten-yard loss. Chico rode across a film set on the model train to run her down while she was waiting to say her lines. And, when they couldn’t think of anything else to do, they all climbed on her lap and mauled her.

For several years, the Marx maniacs gave Margaret Dumont a big hand — as well as an occasional foot — in the interest of good, clean fun. It was a rough life, but Dumont loved it because it was never monotonous. If you’ve ever watched the four brothers cavort, that last crack goes without saying.

Groucho called her “Tootsie.” Harpo cut it to “Toots.” But Chico and Zeppo got along with just plain “Maggie,” all much to the stately Miss Dumont’s amusement.

Margaret exchanged great dialogue with Groucho Marx like this from Duck Soup:

RUFUS T. FIREFLY (Groucho Marx): Not that I care, but where is your husband?

MRS. TEASDALE: Why, he’s dead.

RUFUS T. FIREFLY:   I bet he’s just using that as an excuse.

MRS. TEASDALE: I was with him to the very end.

RUFUS T. FIREFLY: No wonder he passed away.

MRS. TEASDALE: I held him in my arms and kissed him.

RUFUS T. FIREFLY: Oh, I see, then it was murder. Will you marry me? Did he leave you any money? Answer the second question first.

MRS. TEASDALE: He left me his entire fortune.

RUFUS T. FIREFLY: Is that so? Can’t you see what I’m trying to tell you? I love you.

 

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To learn more about Miss Dumont read

Straight Lady: The Life and Times of Margaret Dumont, “The Fifth Marx Brother.”

Playing It Straight

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“I’ll meet you tonight under the moon. Oh, I can see you now – you and the moon. You wear a neck-tie so I’ll know you.” Groucho Marx to Margaret Dumont in The Cocoanuts.

The film The Cocoanuts, starring the Marx Brothers, was well received everywhere it played. Critics praised the production, calling it “tuneful” and “full of beauty and uproariously funny.”  Margaret, a seasoned Broadway veteran, had been singled out in reviews which called her a “stately dowager with refined acting and singing gifts.”

 

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To learn more about Dumont’s work with the Marx Brothers and the making of The Cocoanuts read Straight Lady: The Life and Times of Margaret Dumont, “The Fifth Marx Brother.”

All the World Loves a Straight Lady

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Straight Lady: The Life and Times of Margaret Dumont, “The Fifth Marx Brothers”

 

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Straight Lady: The Life and Times of Margaret Dumont, “The Fifth Marx Brother”  focuses on Dumont and her role in the production of the comedy teams’ most successful films.

Here’s what critics say about Straight Lady.

“Great stars of Hollywood often have multiple books written about them, but the marvelous character actors who support them are mostly ignored. An exception is “Straight Lady: The Life and Times of Margaret Dumont” by Chris Enss and Howard Kazanjian, a prodigiously researched biography of the actress who played the stalwart victim of the Marx Brothers’ comedy of assault.” Wall Street Journal Review

“Informed and informative, Straight Lady: The Life and Times of Margaret Dumont, “The Fifth Marx Brother” is must for the personal reading lists of motion picture enthusiasts, cinematic film historians, and the legions of Marx Brothers’ fans.  Midwest Book Review

“While comedy fans will enjoy the reprised storylines and biographical vignettes, this multileveled work also offers media scholars a deeper look into Marx Brothers films in which Dumont was epochal and reflective of the era’s gender standards and mannerisms.” Library Journal

“Margaret Dumont had a complete life; Enss and Kazanjian’s research fill in all the voids. “The Straight Lady” digs deep and produces a revealing chapter in the amazing early success of the movie business. For those readers who enjoy a fascinating story, this book will fit the bill. For those who love Hollywood history, it is a must read.”  Arizona Daily Star

 

 

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Remembering Sand Creek

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Mochi’s War: The Tragedy of Sand Creek

 

 

 

“I said a prayer for the spirits that are still at Sand Creek because of the genocide that was forced upon them. The treaty they made with the Cheyenne and other tribes in 1851 included Denver, Wyoming and other areas. But, when gold was discovered they needed to move the Indians out of the way, so in 1861 they moved the Cheyenne and Arapahos to the Sand Creek area. When the massacre occurred on November 29, 1864, the Cheyenne were on the reservation the U.S. government had given them, and the government condoned all this action resulting in the killing of these innocent people.” Laird Cometsevah

 

This week marks the 160th anniversary of the Sand Creek massacre.

Read about this event in the book Mochi’s War: The Tragedy of Sand Creek

 

Mochi's War: Tragedy of Sand Creek

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Ten percent of all sales of the book go to the Sand Creek National Monument site