Memories of Teachers Pack a Punch

 

This spring I met with a handful of California State Board of Education members to discuss Packing the West and learn the criteria to be followed when writing the Gold Rush curriculum for the program.  Some of the meetings were held in elementary school classrooms after students had left for the day.  Being in that setting brought back a flood of memories, primarily of one of the teachers who helped spark my desire to write.

Dr. Augustus Bock was my high school English teacher.  He loved the flirtatious tango of consonants and vowels, the steady dependability of nouns and the capricious whimsy of verbs, the strutting pageantry of the adjective and the flitting evanescence of the adverb, all kept safe and orderly by those reliable little policemen, punctuation marks.  He wanted to write the great American novel and when that didn’t happen, he turned to teaching.  Most of the time his passion for the vocation was infectious, but there were weeks when it was clear he believed he’d settled.  It was then that the tweed jacket with suede patches at the elbows he always wore appeared as if he’d slept in it, and he started to smell like cherry pipe tobacco and defeat.  I guess he didn’t understand how much his students valued him even if he never penned his version of East of Eden.

The same couldn’t be said for my British literature teacher, Evelyn DeLagrange, an Amazonian-looking woman with long red hair and an unnatural obsession with Geoffrey Chaucer.   Our troubles began after she read a book report I’d written about The Canterbury Tales in which I noted that “Chaucer was an expert at making nothing happen slowly.”  In a meeting Ms. DeLagrange had with my parents at the end of the semester, she suggested they take the college money they’d been saving for me and buy themselves a fishing boat because the only college she thought I’d be able to attend would have the word “beauty” or “clown” in front of it.

But I showed her.  After two years studying journalism at Cochise College, in Sierra Vista, Arizona, I went on to attend the University of Arizona, where I majored in drama.  When you tell someone you majored in drama, the first thing they do is mentally subtract twenty grand off what they think you make for a living.  The second thing they do is ask you to bring them a menu and tell them about the soup for the day.

Some teachers make a person want to become a writer, scientist, historian, etc., because they love the subjects they teach, and that ignites a desire in their students.  Other teachers drive students to their life’s pursuit just to prove that they were meant to do more than wear a multicolored wig, a rubber nose, and a massive bow tie.  And that brings me back to Packing the West.  With the Packing the West program, we hope to not only stir in students a love for the American West but to encourage them to strive for more, in the same way that the men and women on the frontier did.  We’re just getting started, but the historical figures we’ve included in the first set of learning materials for youngsters are impressive.  With Nat Love, Louisa Clappe, William Bent, Mary Graves, Buffalo Bill Cody, and Jim Bridger as teachers, anything is possible.  And that should be the mantra for every teacher.

*Note to Buena High School Friends – Evelyn DeLagrange is not the real name of the teacher in the story. The name has been changed to protect Chaucer.

 

Statistics of an American Icon

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Happy Trails: 

A Pictorial Celebration of the Life and Times of Roy Rogers and Dale Evans.

Just in time for Christmas!

 

 

Dale Evans and Roy Rogers are such icons of the American West – quintessential cowgirl and cowboy – that sometimes it is difficult to remember that their personas were media creations and not the real thing. Neither of them grew up riding the range. Dale Evans, born Frances Smith, was married as a young teen-ager, and then left to struggle as a single mother. Roy Rogers, originally Leonard Slye, grew up on a hard-scrabble farm.

Talent and the Hollywood machine transformed them into stars. They married after Rogers was left a widower with small children. Tragedy – and the triumph over it – didn’t stop there. Both adoptive and natural parents, they endured the sad loss of three of their children over the years.

Rogers and Evans managed to project an image of wholesomeness decade after decade over changing times.

 

Statistics of an American Icon

According to the Roy Rogers Corporation, the total revenue from the sale of Roy Rogers merchandise for 2015 was $14.4 million dollars.

In 2020 the Roy Rogers/Dale Evans official website had more than 912,000 visitors a month.

Ebay Auctions lists the Roy Rogers/Dale Evans memorabilia page as one of their most popular sites. More than 12,000 items are bought and sold a month.

Roy Rogers and Dale Evans made eighty-one westerns for Republic Studios.

The Roy Rogers Show was among the top NBC television programs from 1951 to 1957.

In 1947 alone Roy Rogers received more than 900,000 fan letters.

In 1953 alone 408,000 pairs of Roy Rogers slippers, 900,000 lunch kits, and 1,203,000 jeans and jackets were sold.

 

Happy Trails Cover

 

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Long Live the Queen

 

 

Although she racked up thousands of hours of radio time, made scores of movies, and appeared for many years on television, Dale fell somehow short of traffic-stopping celebrity status.  Dale Evans comic never sold quite as well as the Roy Rogers series.  The Dale Evans watch never buckled around as many little wrists as the Roy model did.  Trigger, Roy’s four-legged friend, rated co-star billing as “The Smartest Horse in the Movies,” Dale’s amazing mounts, Pal and later Buttermilk, sometimes didn’t get recognized until a film’s final credits rolled.  Still, for a generation of Americans, those boys and girls who spent the Saturday mornings of their childhoods in the popcorn scented darkness of the local picture show, Dale Evans – fearless, loyal, outspoken, hard-working, pretty – remains cowgirl incarnate.  When we think cowgirl, we conjure images of the Queen of the West.

 

 

Read all about the life and times of Dale Evans in Happy Trails:  A Pictorial Celebration of the Life and Times of Roy Rogers and Dale Evans.  Visit www.chrisenss.com to enter to win a copy for Christmas!

Clint Black Boasts About Happy Trails

 

Happy Trails Cover

 

“The teamwork of Enss and Kazanjian bringing us the rich history of the old west and the old western movies is unparalleled.  There is no one else I would turn to learn about our western heritage.  Chris and Howard have given us wonderful insights into Roy and Dale with their acclaimed, The Cowboy and the Senorita.  This addition brings even more powerful emotion to a look back at the wonderful universe surrounding one of the greatest Hollywood partnerships of all time, both on and off screen.  I can’t wait to share it with my friends and family.”   Award Winning Country Music Artist, Clint Black

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Praise for Happy Trails

 

“This gorgeous book shows why Roy Rogers and Dale Evans had an impossible-to-exaggerate influence on American culture in their prime. As revealed in these impressive photographs and informative texts, Roy and Dale’s behind-the-scenes story is as powerful and often heartbreaking as any story in their films.”

David Morrell, New York Times bestselling author of First Blood

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Denver Post Review of The Lady and the Mountain Man

Sandra Dallas’s Review of The Lady and the Mountain Man for the Denver Post.

 

The Lady and the Mountain Man Book Cover

 

“Isabella Bird is one of Colorado’s favorite historical figures. The fearless Englishwoman rode all over Colorado’s mountains in 1873, in bad weather and by herself. “The Lady and the Mountain Man” is a definitive treatment of Bird’s life.

Bird was an invalid, and doctors recommended sea voyages to improve her health. She was intrigued with the American West, and once healed, she came here by herself to explore the mountains. She settled in Estes Park where she met infamous mountain man Jim Nugent. Mauled by a grizzly, Mountain Jim was scarred and missing an eye, but Bird found him handsome. He had a reputation for violence, particularly when he was drunk, and Bird was warned against him.

The two fell in love, but a future together was not to be.

In this detailed account of the star-crossed lovers, the author — who is known for her books on Western women — plumbs both Colorado and British resources. In Enss’ hands, Bird is not a female oddity, but a woman of strength, courage and loyalty.”

 

And Now, Dale Evans

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Happy Trails: 

A Pictorial Celebration of the Life and Times of Roy Rogers and Dale Evans

 

 

Dale Evans was born Frances Octavia Smith on October 31, 1912, in Uvalde, Texas. In her words, her upbringing was “idyllic.”  As the only daughter of Walter and Betty Sue Smith, she was showered with attention and her musical talents were encouraged with piano and dance lessons.

While still in high school, she married Thomas Fox and had a son, Thomas Jr. The marriage, however, was short-lived.  After securing a divorce, she attended a business school in Memphis and worked as a secretary before making her singing debut at a local radio station.  In 1931 she changed her name to Dale Evans.

By the mid-1930s, Dale was a highly sought-after big-band singer performing with orchestras throughout the Midwest. Her stage persona and singing voice earned her a screen test for the 1942 movie Holiday Inn.  She didn’t get the part, but she ended up signing with the nationally broadcast program the Chase and Sanborn Hour and soon after signed a contract with Republic Studios.  She hoped her work in motion pictures would lead to a run on Broadway doing musicals.

 

Happy Trails Cover

 

To learn more about Roy Rogers and Dale Evans read

Happy Trails

Life Magazine and Roy Rogers

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Happy Trails: 

A Pictorial Celebration of the Life and Times of Roy Rogers and Dale Evans

 

 

On July 12, 1943, Roy Rogers and his trusty palomino, Trigger, appeared on the cover of Life magazine. The overwhelming success of Roy’s movies had made him the biggest box-office draw in the country.

On average, Roy made eight pictures a year, and in between productions he traveled around the country promoting his work. He sometimes made six appearances a day at various theatres where his movies were playing. Audiences would fill the seats of the movie houses, Roy and the Sons of the Pioneers would sing a few songs, and then his film would run.

Trigger accompanied Roy on all his promotional trips. Roy had acquired Trigger in 1938 when the horse was a yearling and, with the aid of a professional trainer, he brought the animal into prominence.

Along with information about his home life, the origin of the singing cowboy’s name was revealed in the Life article. Studio executives had given Leonard Slye, also known as Dick Weston (a name Leonard picked himself and used as his professional name for a short time), the handle of Rogers in 1937, after the famous humorist Will Rogers, and Roy which means “king.”  The two stage names fit together perfectly.

 

Happy Trails Cover

 

To learn more about Roy Rogers, Trigger, and Dale Evans read Happy Trails

Lonely at the Laptop

 

Writers are not always the most social beings. We spend so much time alone working on our craft we tend to forget what it’s like to be out in public. I go for weeks without seeing anyone besides the guy in my house I married three decades ago who eats all my Rocky Road ice cream and spends an unsettling amount of time watching professional wrestling. When I finally do get a chance to be out among the crowd, I’m like a German shepherd whose hasn’t seen people in a long while. That’s why I’m a big believer in writing conferences. Being around other writers can improve your mental and emotional health.

A major activity in the life of a writer (or at least this writer for the twenty-five plus years I’ve been writing) is attending conferences or conventions. Surveys distributed at various writing conference around the country and reviewed by the Association of Writers and Writing programs indicate that among the many benefits of attending conferences are learning innovative writing techniques, improving writing skills, finding fresh ideas, and gaining new contacts. I had to sift through several writing conferences before I found the few that were of any real benefit.

I’ve taken part in my fair share of screenwriting conferences. They were more pitch sessions than anything else. Usually held in hotel ballrooms in lovely downtown Burbank, California, hopeful script writers had the opportunity to sign up to pitch their screenplays to people who said they were assistant development heads for various studios when in truth they were really pages for a late-night television show trying to break into the business just like me. I had just won the Nicholl Fellowship Award and was feeling invincible when I attended my first pitch session. The first so-called industry go-getter I met invited me to tell him about my work as he fed berries to the cockatoo on his shoulder.  When the bird began squawking, I found it difficult to focus. The session took an immediate nosedive when I suggested the man’s bird might prefer to be in its cage ringing its little bell and staring at its reflection in a mirror.

Then there was the Actor’s Conference, a symposium designed for aspiring actors to connect with professional actors. Before things went south between myself and the owner of the cockatoo, he suggested that attending the Actor’s Conference would help me be a better writer. The idea was that I could learn how to act like the characters I was creating, and that would translate to the page.

The first panel I took part in was an acting exercise with four other pretend thespians. We were to take our place around a poker table and imagine ourselves as dogs playing poker in a velvet painting. I tried, but I couldn’t get into it. First of all, dogs cannot play poker because they don’t have thumbs, and you need thumbs to shuffle and deal a deck of cards properly.  And there’s nothing remotely cute about animals with gambling problems. It’s incredibly sad. As a matter of fact, not one of those dogs is smiling in those pictures, because if you look closely at those paintings, you can tell that most of them are playing with money they can’t afford to lose. And sadder still, remember it takes seven of their dollars to make one of ours.

It’s going to be a long winter between writing conferences. In the meantime, I’ll sharpen my people skills at the grocery store where I plan to buy my weight in Rocky Road ice cream.

 

 

 

Becoming Roy Rogers

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Happy Trails:

A Pictorial Celebration of the Life and Times of Roy Rogers and Dale Evans

 

 

Roy Rogers was born Leonard Franklin Slye on November 5, 1911, in Cincinnati, Ohio. His parents owned a farm near the small town of Duck Run, and it was there that he developed his love for music. By the age of ten he was playing the guitar and calling square dances.

In 1929 Leonard left the Midwest and headed for Hollywood. In between occasional singing engagements with the various bands, he helped form (including the Sons of the Pioneers), he worked as a truck driver and a fruit picker.

His big break came in 1937, when he snuck onto the lot of Republic Pictures and landed a contract paying seventy-five-dollars a week. Republic Studios’ president Herbert Yates was looking for a musical actor to go boot-to-boot with singing-cowboy sensation Gene Autry. Renamed Roy Rogers, Leonard had the integrity, the talent, and the look the studio was hoping to find.

Three short years after singing with Republic, Roy Rogers would be the number-one-box-office draw in the country and be crowned the King of the Cowboys.

 

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