2025 Will Rogers Medallion Award Wins

On the way home from the Will Rogers Medallion Award festivities with a couple of medallions for short nonfiction stories about women of the Wild West. It was a great time spent with extraordinary writers. Book signings, school presentations, the introduction of the WRMA scholarship for junior high and high school students, and of course the award ceremony itself. The 2026 event will feature more opportunities for authors, poets, screenwriters, and songwriters to showcase their work.

Early Daughters of Daring Review from Lone Star Literary Life

 

 

America’s earliest movie creators learned quickly that audiences expected to see more than just a few pretty faces on flickering screens. Moviegoers wanted action, danger, heart-stopping shootouts, and startling displays of horseback heroics.

Chris Enss’s lively new nonfiction work, Daughters of Daring: Hollywood Cowgirl Stunt Women, delivers eye-opening looks inside the risky careers of more than two dozen female horse riders who became stunt performers in the early decades of the 20th century.

Filmmakers could not jeopardize the looks, careers, and lives of their high-paid stars by making them actually fall off horses or roll down dusty hills. But stunt doubles could take those risks—and more—at very low cost to a movie’s budget.

Some of the intrepid young women who became stunt doubles for well-paid movie stars were self-taught. Others had learned trick riding skills while working in open-air vaudeville shows such as “Buffalo Bill’s Wild West” and Oklahoma’s “101 Ranch Wild West Show.”

In either case, “Hollywood couldn’t have gotten along without them,” Enss contends.  “Many cast as stuntwomen were fated to spend a considerable amount of their motion picture career accumulating a large variety of cuts and bruises. Even when they were granted a small speaking part, there was always a fall, a dive, or a wagon collision to go with it. Talented stuntwomen took backward, forward, head-first, and feet-first falls into water, ditches, and nets, over chairs and tables, from the tops of pianos, out of high windows, through trapdoors, and down haylofts. Some rode wild horses; worked with bears, goats, pigs, and cows; and chased donkeys and steers. They doubled for such luminaries as Joan Crawford, Barbara Stanwyck, and Jean Arthur.”

It was a risky arrangement to be a stuntwoman. To get paid, a stuntwoman had to create a stunt, negotiate a price for it, rehearse it, and successfully pull it off on camera. If you got hurt and could no longer work, you were just out of luck.

The stuntwomen profiled in Daughters of Daring include five who rode in the Wild West shows, six who did stunts in the silent-movie days, and six who were standouts in “the talkies,” the movies made after the introduction of sound revitalized the motion picture business.

Helen Gibson, Texas Guinan, and Ruth Roland are three examples of Enss’s focused profiles. Gibson, who grew up near Cleveland, Ohio, is “recognized by film historians as the first professional American stuntwoman,” Enss notes. Guinan, a Waco native, preferred to have speaking parts in movies and but often did her own stunts; and Ruth Roland, a San Franciscan who became known as “the queen of the early movie serials.”

In 1921, Guinan formed her own film company and produced and starred in numerous Western shorts. “I had twelve real cowboys, a scenario writer, a cameraman, a carload of cartridges, my horse ‘Waco’ from Texas, and went to work. We made a picture a week,” she remembered years later. “We never changed plots, only horses.”

Regarding Roland, Enss writes: “Whether in chaps or an elegant gown, Ruth was always just a hair’s breadth away from the most appalling situations in her pictures. Her director, with an astute comprehension of how to build suspense, would leave her tied to a railroad track with the express thundering around the bend or leaping on horseback from the edge of a cliff to escape a fate worse than death.”

Daughters of Daring is fun, informative reading. It offers significant insights into how experienced stuntwomen helped shape and boost the motion picture business in the Southwest and kept audiences coming back for more.

 

 

 

 

The Tale Behind Sacagawea’s Tombstone

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Sacagawea was the young Shoshone Indian woman who served as Lewis and Clark’s translator on their 1803 expedition to explore the uncharted western regions of America.  She made the entire journey to the Pacific, and the return trip, with a newborn baby on her back; many believe without her aid, the journey, commissioned by President Thomas Jefferson, would have ended in failure.  Some accounts say she died in 1812 at age twenty-five of putrid fever, while others believe she died in 1884 on an Indian Reservation in Wyoming.

The child she carried in a papoose was Jean-Baptiste Charbonneau, nicknamed Pompy, meaning first-born, who eventually attended St. Louis Academy with tuition paid by Clark.  Pompy later met Prince Wilhelm of Germany while on a natural history expedition and traveled back to Europe with him, where Pompy learned to speak four different languages.  But by the time he was twenty-four Pompy was back in North America, living as a mountain man.  When the Gold Rush of 1849 started, he got caught up in the fever and died from too much time wading through cold rivers panning for gold.  His cause of death was bronchitis at age sixty-one, and his portrait is the only one of a child on any U. S. coin.

 

 

 

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To learn more about the deaths and burials of some of the West’s most legendary figures read

Tales Behind the Tombstones

 

 

The Tale Behind Cattle Annie and Little Britches’s Tombstones

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Tales Behind the Tombstones:

The Deaths and Burials of the Old West’s

Most Nefarious Outlaws, Notorious Women, and Celebrated Lawmen

 

 

On the afternoon of August 18, 1895, United States Marshal Bill Tilghman and Deputy Marshal Steve Burke led their horses toward a small farm outside of Pawnee, Oklahoma. The lawmen had tracked a pair of outlaws to the location and were proceeding cautiously when several gunshots were fired.

Marshall Tilghman caught sight of a Winchester rifle sticking out a broken window of a dilapidated cabin. He spurred his horse out of the line of fire just as the weapon went off. He drove his mount around the building and arrived at the back door at the same time sixteen-year-old Jennie Stevens, alias Little Britches, burst out of the house. She shot at him with a pistol while racing to a horse waiting nearby.

By the time Marshal Tilghman settled his ride and drew his weapon Jennie was on her horse. She turned the horse away from the cabin, kicked it hard in the ribs, and the animal took off. Tilghman leveled his firearm at the woman and shot. Jennie’s horse stumbled and fell and she was tossed from the animal’s back, losing her gun in the process.

The marshal hopped off his own ride and hurried over to the stunned and annoyed runaway. Jennie picked herself up quickly and cursed her misfortune. She charged the lawman, dug her fingernails into his neck, and slapped him several times before he could subdue her. He was a battered man when he finally pinned her arms behind her back.

Back at the cabin, Deputy Marshal Steve Burke wrestled a gun away from thirteen-year-old Annie McDoulet, alias Cattle Annie, a rail-thin, young woman wearing a gingham dress and a black, wide-brimmed straw hat. The pistol she tried to shoot him with was lying in the dirt several feet in front of her.

Two years prior to their apprehension and arrest, Cattle Annie and Little Britches were riding with the Doolin gang, a notorious band of outlaws who robbed trains and banks. Enamored by the fame of the well-known criminals the teenage girls decided to leave home and follow the bandits. They helped the criminal steal cattle, horses, guns, and ammunition and warned them whenever law enforcement was on their trail.

Legend tells that Bill Doolin, leader of the Doolin gang, gave Cattle Annie and Little Britches their nicknames. Cattle Annie was born Anna Emmaline McDoulet in Kansas in 1882. Jennie Stevenson was born in 1879 in Oklahoma. Both girls had run afoul of the law before joining the Doolin gang. Each sold whisky to Osage Indians. According to the September 3, 1895, edition of the Ada, Oklahoma newspaper the Evening Times, Jennie seemed to have “plied her vocation for a long time successfully, going in the guise of a boy tramp hunting work.”  In between selling liquor to Indians and life with the Doolins, Jennie had marred a deaf mute named MidKiff and Annie rustled livestock.

News of Cattle Annie and Little Britches’ arrest was reported in the August 21, 1895, edition of the Cedar Rapids, Iowa newspaper the Evening Gazette. “A deputy marshal and a posse arrested two notorious female outlaws but had to fight to make the arrest,” the article read. “The marshal’s posse ran into them and they showed fight. Several shots were fired before they gave up. One was in men’s clothing.”

The teenage outlaws were held in the jail in Guthrie, Oklahoma Territory until a trial was held. They were found guilty of horse stealing and sentenced to ten years imprisonment at the Farmington Reform School in Massachusetts. Cattle Annie and Little Britches were model prisoners and only served three years of their sentence.

Annie returned to the Oklahoma Territory where she met and married Earl Frost in March 1901. The couple divorced after eight years. In 1912 Annie married a house painter and general contractor named Whitmore R. Roach. They had two sons and lived a respectable life in Oklahoma City. Annie McDoulet Frost Roach died from natural causes on November 7, 1978, at the age of ninety-five. Her obituary ran in the November 8, 1978, edition of the Oklahoma City newspaper The Oklahoman. The article noted that “she was a retired bookkeeper and member of the American Legion Auxiliary and the Olivet Baptist Church. She had five grandchildren and thirteen great-grandchildren. She was laid to rest at Rose Hill Burial Park in Oklahoma City.

Little Britches returned to Oklahoma as well as Annie. She married, raised a family, and lived a life of quiet solitude in Tulsa. How long she lived and where she passed away is unknown.

 

 

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To learn more about how famous Western legends died read

Tales Behind the Tombstones:

The Deaths and Burials of the Old West’s

Most Nefarious Outlaws, Notorious Women, and Celebrated Lawmen.

 

 

 

 

 

 

The Virginian – Favorite Western Featuring a School Teacher

A New England schoolmarm living in Wyoming in 1879, falls in love with a cowboy who’s not only an expert roper and rider, but handy with a gun. The teacher is opposed to violence, and her relationship with the cowboy is put to the test when he insists on squaring off with a card sharp who’s accused him of being a cattle thief and a liar. This is not a storyline in a Harlequin paperback series, but of a novel hailed by newspapers from the San Francisco Chronicle to the Kansas City Star as one of the “best romances of the West in American literature.” The novel is the Virginian: A Horseman on the Plains by Owen Wister.
Published in 1902 by Macmillan Company of New York, the hero of the story is a Virginian who drifted out on the old Santa Fe trail when he was sixteen, and who, at twenty-seven, when the story opens, is a master of the cowboy arts. Wister’s Virginian has a grand sense of humor. The Yankee schoolteacher is a fine woman, but I wish she’d been a little more jovial; then maybe her cowboy wouldn’t have had to endure so many forlorn days. Wister captures their fragile romance with lines like “she would watch him with eyes that were fuller of love than of understanding” and “Ah, me. If marriage were as simple as love!”
Now I admit I’ve never been a fan of romance novels. The stories of beautiful people and how their love blossoms in unusual circumstances seem implausible to me. When is anyone ever taking a casual ride on the prairie dressed in a taffeta gown complete with a black velvet and lace bonnet and silk gloves? And then, on that ride meet a shirtless, Chris Hemsworth type searching for a wandering calf? I went on a horseback ride with a guy once, we were both dressed in jeans and a T-shirt. It was kind of fun until he ran out of quarters. But I digress.
Many of the most celebrated books in the western genre are romances. From Dorothy Johnson’s short story, The Man Who Shot Liberty Valance and Louis L’Amour’s Conagher to Lauran Paine’s The Open Range Men and Max Evan’s The Hi-Lo Country, romance is a driving force in those westerns. Not only does the romantic element make the stories compelling, but, as it turns out, it’s also a key selling point.
A Publishers Weekly 2024 study showed that 82.6 million Americans read at least one romance a year. Thirty-two percent of those readers were men. Close to half of the romance books that sold were set on the American frontier. According to a 2023 study by Psychology Today, the common ingredient that explains the appeal of the western romance is the “dashingly handsome, rogue cowboy captivated by the female lead who ultimately reforms his ways.” The study also shows readers enjoy a romance story because it “simply gives them hope that they too could have that romantic love of which they dream.”
Whatever the reason, romance is big business, particularly in book publishing. Online magazine MarketWatch notes it’s a billion-dollar industry and western romances claim a respectable percentage of those earnings.
In addition to Owen Wister, contemporary western romance writers have authors James Fenimore Cooper, Bret Harte, and Zane Grey to thank for pioneering the genre. Since their work debuted in mercantile stores and bookshops across the country in the 1870s to the early 1900s, the field has undergone changes and evolved with the times. Western romance novels are no longer strictly written from the male perspective. The focus has shifted from the hero’s goals and wants to the heroine’s journey, motivations, and aspirations.
The fancy but picturesque character study in The Virginian is just one of the reasons it ranks as one of the best western romance novels. That, and Wister’s talent for writing crisp dialogue which makes it hard to resist rooting for his lead characters to live happily ever after. “I don’t think I like you,” the schoolmarm says to the Virginian. “That’s all square enough,” he replies. “You’re going to love me before we get through.”
That’s the goal for all western romance authors, that we love what they’ve written before we get through with their stories.
To learn more about teachers such as the one featured in Wister’s book, read Frontier Teachers: Stories of Heroic Women in the Old West.

The Tale Behind Dr. Elizabeth Blackwell’s Tombstone

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The Deaths And Burials Of The Old West’s

Most Nefarious Outlaws, Notorious Women, And Celebrated Lawmen

 

 

America’s first woman doctor was admitted to New York’s Geneva College in 1847 as a joke, and was expected to flunk out within months.  Nevertheless, Blackwell prevailed and triumphed over taunts and bias while at medical school to earn her degree two years later.

While in her last year of medical training, she was cleaning the infected eye of an infant when she accidentally splattered a drop of water into her own eye.  Six months later she had the eye taken out and had it replaced with a glass eye.  Afterward, American hospitals refused to hire her.  She then borrowed a few thousand dollars to open a clinic in New York City, which she called the New York Infirmary for Indigent Women and Children.  She charged patients only four dollars a week, if they had it, for full treatment that might cost at least two hundred dollars a day at the going rate.

During the Civil War she set up an organization to train nurses, Women’s Central Association of Relief, which later became the United States Sanitary Commission.  In 1910 at age eighty-nine she died after a fall from which she never fully recovered.

 

 

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To learn more about the way some of the most legendary pioneers passed away read

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The Deaths And Burials Of The Old West’s

Most Nefarious Outlaws, Notorious Women, And Celebrated Lawmen

 

 

 

 

Crime Fans Rush to Meet the Kellys

It seems readers really wanted to Meet the Kellys. The book is currently ranked #25 in Biographies & Memoirs of Criminals.

 

To quote Al Capone, “You can go a long way with a smile. You can go a lot farther with a smile and a gun.” No one knew that better than Machine Gun Kelly and His Moll Kathryn Thorne.

The Tale Behind Seth Bullock’s Tombstone

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Tales Behind the Tombstones:

The Deaths And Burials Of The Old West’s Most Nefarious Outlaws,

Notorious Women, And Celebrated Lawmen 

 

 

It wasn’t a bullet from an outlaw’s six-shooter or an enemy soldier in the Spanish-American War that claimed the life of one of the fiercest lawmen in the history of the Dakotas. Seth Bullock died of colon cancer. The accomplished businessman, rancher, politician, and lawman suffered with the disease for years and he died in September 1919 at the age of sixty-two. Born in Amhertberg, Ontario, Canada, in August 1876, six decades later he was remembered for his strength of character as well as the influence he had on the wild frontier.

According to the September 28, 1919, edition of the Kansas City Star, before Seth Bullock made his mark on the Black Hills of Dakota, he was a pioneer in Montana. He was the first sheriff in Helena, Montana, and a member of a famous vigilance committee that rid the region of a desperate band of horse thieves.

Upon hearing that gold had been discovered in the Black Hills, Seth and some of his friends decided to go to that area of the country in the summer of 1876. In March 1877, he became Lawrence County, Dakota’s first sheriff. The gold camp contained some of the most notorious, cutthroat criminals in the country. Many were intimidated by the lawman.

Seth dressed like a minister, had the stare of a mad cobra, and was silent as a confidential clerk working for Rockefeller. In the beginning, his ability to effectively do his job in Lawrence County was challenged by an outlaw who intensely disliked the lawman. He gave orders that Seth should leave the camp and never return. The man threatened to shoot Seth if he didn’t go. After being warned by friends, the sheriff borrowed a squirrel gun from an old hunter and proceeded down the street to the saloon where the desperado was waiting. When the man saw Seth unafraid and coming right for him, he backed down and fled the scene.

As a representative of law and order, the Dakota lawman tracked down a number of stage robbers, gamblers, and murderers, and, according to the October 1, 1919, edition of the Fort Wayne Journal Gazette, killed more than twenty-five lawbreakers who refused arrest.

In addition to his career in law enforcement (Seth also served as a United States marshal in Western Dakota Territory) he co-owned and operated a hardware store and warehouse in Deadwood with his business partner Sol Star. It was one of the most prosperous companies in the Black Hills.

Seth met Theodore Roosevelt in 1884. Roosevelt was a deputy sheriff in Medora, North Dakota, and had tracked a criminal to Seth’s jurisdiction. The two lawmen became fast friends. He became one of Roosevelt’s Rough Riders in the Spanish-American War and was named captain of one of the future president’s troops.

Seth was an elected representative to the Senate and introduced the resolution to set aside Yellowstone as a national park. He was the first forest supervisor of the Black Hills and the cofounder of the mining town Belle Fourche.

Seth was serving his third term as United States marshal for the District of South Dakota when he was diagnosed with cancer. Friends and family noted that in spite of his health he refused to be complacent. He continued on with his work regardless of the debilitating illness.

When President Roosevelt died in January 1919, Seth decided to erect a monument in his friend’s honor. He oversaw the building of a stone tower known as Mount Roosevelt on Sheep Mountain located five miles from Deadwood. The tower was completed in June 1919. Seth died on September 23, 1919, at his home surrounded by his loved ones. He was buried at Mount Moriah Cemetery in Deadwood. His grave faces Mount Roosevelt.

 

 

 

To learn more about Seth Bullock and other Western legends read

Tales Behind the Tombstones 

Daughters of Daring Ride Into Bookstores Early 2026

“Once again, Enss has unearthed hidden cinema secrets. In Daughters of Daring, she tells the remarkable story of women who, from the dawn of movies, risked their lives—mostly in secret. Finally, their names are shared and their incredible achievements are told. No one does it better.”

—Rob Word, producer and host, A Word on Westerns

 

 

New York Times Bestselling author Chris Enss plans four-day trip to Deadwood

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An Open Secret: The Story of Deadwood’s Most Notorious Brothels

 

 

DEADWOOD — For more than 30 years, Chris Enss has been writing about the women of the Old West. She’s written more than 50 books on the subject, earning nine Will Rogers Medallion Awards, two Elmer Kelton Book Awards, and the Laura Downing Journalism Award.

“Usually, when you think about women of the American West, they’re either Miss Kitty from Dodge City, or Laura Ingalls from Little House on the Prairie,” Enss told the Black Hills Pioneer during her last visit to Deadwood. “People don’t think women did much more than that. The truth is, women were just so incredibly well-rounded in a variety of fields.”

Enss plans to return to the Black Hills, beginning Wednesday. That day, she’ll visit the Days of ‘76 Museum for a reading and signing centered on “The Sharpshooter and the Showman.”

Published in March, that title follows Pawnee Bill and May Manning Lillie of Wild West Show fame — exploring their remarkable, true love story.

Thursday, Enss will visit the Adams Museum for a book signing and talk about the cowgirls of the American West.

On Sept. 26 and 27, Enss will launch her newest book, “Meet the Kellys: The True Story of Machine Gun Kelly and His Holl Kathryn Thorn” in Deadwood at the Brothel Museum.

The author plans to host half-hour presentations on the Jazz Age mob scene. She’ll also be on hand to sign copies of her newest book.

Released in May, “Meet the Kellys” explores the life and relationship of George “Machine Gun” Kelly, a bootlegger turned notorious gangster, and Kathryn Thorne, a “mobbed-up Lady Macbeth” who pushed her husband to commit greater crimes.

 

An Open Secret

 

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An Open Secret: The Story of Deadwood’s Most Notorious Bordellos