Wanted: A Good Teacher

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Doctor Wore Petticoats:  Women Physicians of the Old West.

 

On Wednesday, January 25, 1911, physicians across the world gathered at the great hall at the Academy of Medicine in New York to honor America’s first woman doctor, Elizabeth Blackwell.  The tenacious pioneer in the fight for the right of women to study and practice medicine had died nine months prior to the event honoring the contributions she made to the field.  The audience was composed largely of women, all of whom owed a debt of gratitude to Elizabeth Blackwell.

Born in Bristol, England on February 3, 1821, Elizabeth immigrated to America in 1832 with her parents.  Her desire to attend school and study medicine began at an early age.  Elizabeth was twenty-six years old when she was admitted to New York’s Geneva College in 1847.  She had applied to twenty institutions before being accepted as a medical student at the prestigious university.  The male students there believed Elizabeth’s request was a joke and agreed to let her attend the classes based on that idea, but the daring young woman was not playing around.  She prevailed and triumphed over taunts and bias while at school to earn her degree only two years after enrolling.

While in her last year of school, she treated an infant with an eye infection.  As she was washing the baby’s eye with water, she accidentally splattered the contaminated liquid in her own eye.  Six months later she had the eye removed and replaced with a glass eye.  Hospitals and dispensaries refused to admit her to practice at their facilities, and she was denounced by the press and from the pulpit.

After graduating in 1849, Elizabeth found herself socially and professionally boycotted.  Public sentiment was so against her for pursuing a career in a field deemed unladylike that she could not find a place to live anywhere in New York.  Using funds given to her by her family she built her own home.

In 1854, she borrowed the capital needed to build the first hospital for women in the country.  Most of the patients she worked with were poor.  Patients were charged a mere $4 a week for services that would cost them $2,000 at another facility.  Elizabeth also founded the Women’s Medical College of New York, and, when the Civil War broke out, she assisted in launching the Sanitary Aid Association.  In addition to maintaining her practice and creating benevolent community services, Elizabeth also wrote a number of books on the subject of medicine.  Two of her most popular titles were Pioneer Work in Opening the Medical Profession for Women and Essays in Medical Sociology. 

By the turn of the century, Elizabeth Blackwell had retired from medicine and returned to England.  In the spring of 1907, she was injured in a fall from which she never fully recovered.  She died on May 31, 1910, from a stroke.  The epitaph below the Celtic cross which marks her grave at Kilmun Churchyard on the Holy Loch, near Clyde, includes these words: “The first woman in modern times to graduate in medicine (1849) and the first to be placed on the British Medical Register (1859).

 

Christmas with a Cowgirl

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Along Came a Cowgirl:

Daring and Iconic Women of the Rodeos and Wild West Shows

Trick Rider Dorothy Morrell

“I rode my first horse on a bet,” admitted World Champion cowgirl Dorothy Morrell in 1917. “That I am champion woman rider of the world today was due to an accident, or rather a dare.” At the age of twenty-four Dorothy attended a wild west exhibition in Fresno, California, and was mesmerized by the women bronc riders. A cowboy spectator named Skeeter Bill Robbins, who was seated next to her at the event, bet she could ride one of the broncs. Skeeter had met Dorothy in Montana and witnessed her extraordinary riding skills. Even after she told him she’d never ridden a bucking horse in her life, Skeeter insisted she had what it took and dared her to try it. Dorothy reluctantly agreed.

The mustang’s name was Lillian Russell. “When I was fairly seated someone gave a whoop and the horse bowed its back and began to lunge,” she told a newspaper reporter years later. “With every impact there was a terrific jolt and I thought that every bone in my body would be thrown out of joint. Had it not been for Skeeter though, I think I surely would have been thrown. ‘Every time that cayuse hits the ground,’ he told me, ‘Raise your hat high and when he comes up hit him between the ears.’ The advice saved the day, for it kept me erect and well forward and going with the animal when he was in the air. That’s all there is to riding a bronc.”

Born Caroline Eichhorn in Russia in 1888, Dorothy immigrated to Canada with her family in 1889 and settled in Winnipeg. She came to the United States in 1912 and for several years lived near Helena, Montana. She learned to ride working as a mounted mail carrier for the Blackfeet Indians.

Shortly after accepting Skeeter’s bet and realizing she could indeed ride bucking broncos, Dorothy embarked on a career with the rodeo. She signed on with the 101 Ranch show and there perfected the art of riding fractious horses. In 1914, she won the title of Women’s World Champion Bucking Horse Rider at the Cheyenne Frontier Days rodeo and married Skeeter Robbins. Skeeter was also a bronc rider and the couple traveled together participating in rodeos from Dallas to London.

Dorothy and Skeeter spent time in Hollywood during the mid-1920s, where they worked as horseback riding extras and stunt doubles on several Western films. They also performed in vaudeville acts and in circuses. Skeeter was killed in a car accident in 1933. Dorothy was in the vehicle with him and was seriously injured. She returned to the rodeo circuit the following year winning awards in trick riding and roping and relay racing.

When Dorothy retired from professional riding, she returned to Canada where she enrolled in college and eventually became a nurse.

“I love being a cowgirl,” she told a reporter when she first started riding in rodeos. “That, perhaps, is because I love horses – horses, and babies. I often wish I could be a horse. Of course, I have been a baby once and therefore have no desire to be a baby again. But I would dearly love to be a horse!”

Dorothy Morrell died in Ontario in 1976 at the age of eighty-eight

 

For the Love of Margaret Dumont

Enter the Christmas giveaway now for a chance to win a copy of

Straight Lady:

The Life and Times of Margaret Dumont, “The Fifth Marx Brother”

 

Straight Lady Book Cover

 

 

“I’ve been a longtime Marx Brothers fan for 50 years. I’ve always been curious about Groucho’s foil, the great Margaret Dumont. Was she in on the jokes? Did she understand the jokes? All of them? ANY of them? Straight Lady: The Life and Times of Margaret Dumont, “The Fifth Marx Brother,” by Chris Enss and Howard Kazanjian set my mind at rest with everything I’d been curious about for years. In addition to giving me the “story-behind-the-story” on Dumont, I also learned along the truth behind several rumors and falsehoods regarding this grand dame of film. After all, she appeared in fifty-some movies between 1917 and 1964. Then, there was Groucho! Oh my, if you’re any kind of Marx Brothers fan, and who in their right mind is not, you’ll love and cherish this book. It’s one of those reads that when you put it away, you’re done knowing full well you’ll want to read it again, and again…”

Jerry Puffer, KSEN Radio

 

Bring a Western Legend Home for the Holidays

Bring a Western Legend Home for the Holidays

 

For the book lover on your Christmas list, select from the many stories about heroic women of the American frontier by New York Times bestselling author Chris Enss.  Whether it’s tales about the first female detectives with the Pinkterton Detective Agency, the ladies who helped build the railroad, comic actresses on stage and screen, or Western film stars John Wayne, Roy Rogers and Dale Evans, there’s something in the Enss catalog of books to interest everyone.

All the titles are available at bookstores everywhere, on Amazon.com, Barnes & Noble.com, and nbnbooks.com, and farcountrypress.com.

Starting Monday, December 5th, visit www.chrisenss.com and participate in the book giveaway contest.  Find the holiday decorated cowgirl boots within the site to register to win any two books of your choice from the catalog of Chris Enss books.

 

Merry Christmas!

 

A Christmas Gift Idea

A Christmas gift idea for the kiddos in your life.

 

 

Cowboy True’s Christmas Adventure is the story of a kind-hearted ranch hand who stops to help a family in need and discovers the true meaning of Christmas just when he thinks he’s missed the holiday altogether.

Email gvcenss@aol.com  now to order a copy of the book.

Wall Street Journal Review of Straight Lady

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Straight Lady:

The Life and Times of Margaret Dumont, “The Fifth Marx Brother.”

 

 

“Great stars of Hollywood often have multiple books written about them, but the marvelous character actors who support them are mostly ignored. An exception is “Straight Lady: The Life and Times of Margaret Dumont” by Chris Enss and Howard Kazanjian, a prodigiously researched biography of the actress who played the stalwart victim of the Marx Brothers’ comedy of assault. The Marxes were all over the place, but she was steady, always playing the same woman, who merely had different names: Mrs. Rittenhouse, Mrs. Claypool, Mrs. Potter.

Straight Lady is a noble enterprise, in the Dumont sense of nobility. Margaret Dumont died, at age 82, in March 1965, and her popularity grows as new generations discover her; standing tall, her posture perfect, ready for whatever is coming at her. She earned the respect the authors have given her. Like her, they play it straight.”

Wall Street Journal Review

Praise for Along Came a Cowgirl

along came a cowgirl cover

 

“I just finished Along Came A Cowgirl: Daring and Iconic Women of the Rodeo and Wild West Shows. Chris Enss has done it again! For me, it’s not just Along Came A Cowgirl, I submit, it’s along came another GREAT book,” from Chris, with a foreword by Ken Amorosano. I was born and raised here in Montana, and I’m with Townsquare Media, KSEN/KZIN Radio in Shelby. Out here in Big Sky Country, rodeos are a way of life. WOW! I’ve been around “rodeo country” for 60 years and the bank of knowledge of these amazing rodeo women blew my mind. Talk about your glass ceiling…these cowgirls broke and defied society’s traditional roles in this male dominated sport. Along Came A Cowgirl came barreling down on me like a freight train and I felt like I got hit by a knuckle sandwich! Saddle on up partner and get ready for the reading ride of a lifetime with this riveting read from Chris Enss, No surprise here, she’s a New York Times best-seller, entertainer, and writer with a passion for western history. ME? I’m just a Montana boy who dreams of being a real rodeo rider…”

Jerry Puffer, KSEN/KZIN Radio

 

Dumont’s Day At the Races

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Straight Lady:

The Life and Times of Margaret Dumont, “The Fifth Marx Brother”

 

 

When Margaret Dumont first lent her statuesque dignity to the Marx Brothers’ stage and screen performances, she never anticipated having to wear a special harness to work with them.  The Cocoanuts, Animal Crackers, Duck Soup, and A Night at the Opera were successful projects, but she paid a price for her participation in each film. In the ten years plus she’d been costarring with the comedians, she’d suffered with injuries from Groucho jumping on her to get a piggyback ride, bruised calves and shins from Chico trying to sit on her lap while she was standing up and cracked ribs from Harpo who had tackled her to the ground as she exited various scenes. The brothers’ antics had never failed to make audiences laugh, but, consequently, Margaret was often in pain. Her decision to wear a harness around her upper body was to prevent from having her ribs broken. That protection added inches to her frame, and it showed on camera, but she didn’t mind. Margaret’s goal was to be the perfect straight lady no matter the cost.

In 1936, moviegoers could see Margaret in a variety of films from musicals to comedies. A Night at the Opera was playing at theaters everywhere and was being hailed as the “funniest picture ever made.”  Margaret’s portrayal of wealthy, dowager Mrs. Claypool provided some of the picture’s most memorable scenes.  Her character meets her costars in the film on an ocean liner.

Margaret’s character in Anything Goes, starring Bing Crosby and Ethel Merman, also meets her costars on an ocean liner. The Paramount Pictures musical comedy centers around a young man who falls in love with an English heiress who is being returned home after having run away.  The film featured music written and composed by Cole Porter. The Broadway stage show adapted nicely to film and included such songs as “You’re the Tops,” “I Get a Kick Out of You,” and “Anything Goes.”

After appearing in Anything Goes where audiences were serenaded with popular Cole Porter tunes, Margaret costarred in the screen version of George M. Cohan’s stage success Song and Dance Man. The musical drama starred Claire Trevor, Paul Kelly, and Michael Whalen in the title roles. Song and Dance Man is the story of an entertainer whose girlfriend has a chance to make it to the big time if he steps out of the picture. Critics called the film “the greatest story of theatrical life ever written.”

With roots in musical theater, Margaret was grateful to be a part of both Song and Dance Man and Anything Goes, but her contribution was minor, and she longed for more screen time. MGM executives planned to help her realize her ambition. Irving Thalberg wanted to make another Marx Brothers’ picture, and Margaret was essential to the process. Time after time, the winning formula on camera proved to be Groucho, Chico, Harpo, and Margaret Dumont. Thalberg had every confidence he’d strike gold again with the same players.

The overwhelming success of A Night at the Opera had barely been realized when Thalberg hired writers George Seaton and Robert Pirosh to come up with an idea for the next Marx Brothers’ film. The notion of placing the comedy team in the setting of a sanitarium amused the gag and screenwriters, and they were excited to present the concept to Thalberg. He liked the thought and believed the backdrop was ripe with comic potential but felt something was lacking. A solitary setting wouldn’t be enough. When Seaton and Pirosh brought the notion of a racetrack near the health resort, the motion picture executive enthusiastically approved.

 

Straight Lady Book Cover

To learn more about the brilliant actress who played opposite the Marx Brothers read

Straight Lady